Crossing the Everyday life of Video

at
Asia Art Archive in America
Brooklyn, NY
3:30 pm, 13th April, 2014


There is everyday life. And there is the everyday life of video. A peculiar cousin of the ordinary in general, is the video ordinary: made up of non-square pixels, proliferating handheld cameras, CCTV, citizen journalists, exacting filmmakers, pervasive television, and all the things that are at stake with and through these things.

All gestures in video should be measured, or rubbed up against, its own ordinary. Pad.ma is an archive primarily of footage and not films. It tries to catch this ordinary, and some of its qualities and evolution, in the Indian context in particular. It collects materials and works intensively through them to try and make sense of intentions, technologies, accidents and effects. It asks whether a film can be beautiful from the inside as well as the outside. It thus enquires about not only in what is visible, but also about the backend in which machines or souls that propel or cast images and sounds in a particular way. Even though the video ordinary is constantly overflowing and receding from our attention, Pad.ma tries to parse some of it, for threads that may lead us to new paths.

This hour-long assembly from Pad.ma, made and presented using the website, tells a story of the evolution of the video everyday; its practices, effects, appearances and affirmations in relation to an everyday life that itself is changing.

Pad.ma

is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.

Fwd: Re: Archive

The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.



Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.

*Recalling Far From Vietnam, collectively-made essay film from 1967.

Asia Pacific Triennial

Machine Visions

On AI by CAMP

From Gulf to Gulf to Gulf

Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.

الجار قبل الدار The Neighbour Before the House

Film screening, and conversation 6-8:00 pm

The Neighbour before the House

Geographies of Belonging

Visiting Artist Lecture Series

From Land to Sea

From Gulf to Gulf to Gulf

Vertical Integration

We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.

Footage Films, Or Narrating a Dataset

with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)

We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)

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