at
Asia Art Archive in America
Brooklyn, NY
3:30 pm, 13th April, 2014
All
gestures in video should be measured, or rubbed up against, its own
ordinary. Pad.ma is an archive primarily of footage and not films. It
tries to catch this ordinary, and some of its qualities and evolution,
in the Indian context in particular. It collects materials and works
intensively through them to try and make sense of intentions,
technologies, accidents and effects. It asks whether a film can be
beautiful from the inside as well as the outside. It thus enquires about
not only in what is visible, but also about the backend in which
machines or souls that propel or cast images and sounds in a particular
way. Even though the video ordinary is constantly overflowing and
receding from our attention, Pad.ma tries to parse some of it, for
threads that may lead us to new paths.
This hour-long assembly
from Pad.ma, made and presented using the website, tells a story of the
evolution of the video everyday; its practices, effects, appearances and
affirmations in relation to an everyday life that itself is changing.
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)