Jago Hua Savera

Jago Hua Savera (Day Shall Dawn) 90 mins

Filmed in 1958 on the banks of the River Meghna, in the village Saitnol some 50 kms from Dhaka, based on a pre-independence modernist Bengali novel by Manik Bandopadhyay, with an Urdu screenplay and lyrics by Faiz Ahmed Faiz, music by Timir Baran, photography by Walter Lassally, direction by AJ Kardar with Zahir Raihan and Shanti Kumar Chatterji as assistant directors, Nauman Taseer as producer, and featuring Tripti Mitra from IPTA and Khan Ata among a cast of amateur actors and locals, Jago Hua Savera's reception has been repeatedly thwarted by censorial politics, even amid its rediscovery as a humanist classic and collaborative adventure across nation-made lines.

We invite you in the cities of Batticaloa, Chittagong, Delhi, Dhaka, Karachi, Khulna, Kolkata, Lahore and Mumbai, to change the course of a film's charted history, sip from its waters and immerse in its light and shadows, taste its oddness of language; to experience together its cinematic force as a river without banks, streaming through time and space, and carrying with it our myriad readings and simultaneous narratives.

All screenings on: Sunday, 8th April 2018. All times local (synchronised in actual time)

6:30 pm Karachi IVS Gallery, Indus Valley School of Art and Architecture

6:30 pm Lahore Taseer Art Gallery

7:30 pm Chittagong Chittagong Arts Complex

7:30 pm Dhaka Zahir Raihan Film Society, Jahangirnagar University

7:30 pm Khulna

7:00 pm Kolkata TENT, Theatre for Experiments with New Technologies

7:00 pm Delhi SAA2, School of Arts and Aesthetics JNU

7:00 pm Mumbai CAMP Roof

A season of long films

Pad.ma invites you to
Rivers without Banks
at CAMP

27th December, 2013 through 27th January, 2014


Before the start of a new year; and among big and small resolutions for the future we chose to ask ourselves what is free cinema today, what is its political and perceptual economy, and what could we summon of its powers, before embarking on new journeys of making and thinking.

Rivers without Banks is a screening program of films whose durations extend beyond conventional length. But importantly, this is not a collection put together quantitatively, even as we may argue that the epic scales present in the chosen films carry the weight of histories, and put together chronologically show us a century where individual everyday lives face the annals of terrible power; where the human condition battles with nature and technology, with love and loss, with good and evil.

Evenings at CAMP Rooftop

A roof-top that has been active for ten years.

Pirate Cinema Bombay

Pirate Cinema from Berlin, who we are working with on the video archive
http://pad.ma, present a series of weekly (Sunday) events in the Pirate Cinema tradition, on films and footage.



An Oceanic Feeling

CAMP’s From Gulf to Gulf to Gulf (2013) at the Len Lye Center Cinema, New Plymouth

From Bandra North to Khar East (Virtual i.e. Real Landscape)

via RTI, TDR, Cyprus, Speculative Housing, Capital Flight, GBGB Andolan, Multicam Stings, Drone Leaks, Abu, Adarsh, Alyque, Naezy, Nayak, Rajjo, Tiger, .pdf and .xlsx.

Part 3 of our video-lectures on housing histories of Bombay-Mumbai 6:30 pm

Housing Histories Seminar

"Ghar Mein Shehar Hona: City Housing in a Cultural Matrix, 1951 to 2020". Three evenings of immersive histories on CAMP Rooftop.

Shape Recognition

CAMP presents a sequence of 10 images from their work, in which new shapes appear stretched across technologies, imaginations and actual geography, after the network.

The Annotated "Gujarat and the Sea" Exhibition

General Rehearsal A show in three acts from the collections of V-A-C, MMOMA and KADIST

Karachi Seminar: Critical Perspectives on Art and Education

Keynote Presentation: From Janta Colony to Janta Colony (imaginary to destroyed) 1950 to 1982 Via print and film, music, love, bulldozers, state propaganda and peoples archives.

Lahore Biennale 01

CAMP at Sheher o Funn, the inaugural biennale of the city of Lahore with From Gulf to Gulf to Gulf.

All Events