Unpacking "Country of the Sea"

A boat has many powers: to gather a society in its making, to distribute goods, to carry people and ideas across places that, it seems to us, are more different than ever before. The widely traveled film From Gulf to Gulf to Gulf (2009–2013), a vast, undulating, and musical spatio-temporal journey through the Western Indian Ocean, is a result of four years of dialog, friendship, and exchange between CAMP and a group of sailors from the Gulf of Kutch, who make and sail boats. They also make videos, sometimes with songs married to them. We follow their physical crossing through the gulfs of Persia and Aden, often going “where no one else wants to go”—their giant wooden boats embodying a vital order of “world-trade,” the kind that cuts perpendicularly to the phenomena of both piracy and sanctions. Structured as one season-at-sea, and made from material shot by many people, over many years, and in many formats, the film shows us a “view from the other boat,” non-imperial and made by skilled sailors and people-to-people relations, in some ways, also the other of the “distressed sea.”

Shaina Anand will a offer a pre-reading of the film text of From Gulf to Gulf to Gulf (2009-2013), as a way of connecting it to the Country of the Sea installation at Transmediale.

The Country of the Sea

Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative 22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory

Country of the Sea

CAMP at Transmediale 2018, Berlin with reprinted Wharfage, The Annotated "Gujarat and the Sea" Exhibition and The Country of the Sea cyanotype.

Wharfage

At first, a project on the creek in Sharjah, from where a large number of ships leave for Somali ports.

Transversal Values: On New Forms of Coalitions

As politics fail, nationalist ideologies gain traction, and segregative tendencies multiply, an urge for a new, different “we” becomes apparent...

Lahore Biennale 01

CAMP at Sheher o Funn, the inaugural biennale of the city of Lahore with From Gulf to Gulf to Gulf.



An Oceanic Feeling

CAMP’s From Gulf to Gulf to Gulf (2013) at the Len Lye Center Cinema, New Plymouth

From Bandra North to Khar East (Virtual i.e. Real Landscape)

via RTI, TDR, Cyprus, Speculative Housing, Capital Flight, GBGB Andolan, Multicam Stings, Drone Leaks, Abu, Adarsh, Alyque, Naezy, Nayak, Rajjo, Tiger, .pdf and .xlsx.

Part 3 of our video-lectures on housing histories of Bombay-Mumbai 6:30 pm

Housing Histories Seminar

"Ghar Mein Shehar Hona: City Housing in a Cultural Matrix, 1951 to 2020". Three evenings of immersive histories on CAMP Rooftop.

Shape Recognition

CAMP presents a sequence of 10 images from their work, in which new shapes appear stretched across technologies, imaginations and actual geography, after the network.

The Annotated "Gujarat and the Sea" Exhibition

General Rehearsal A show in three acts from the collections of V-A-C, MMOMA and KADIST

Jago Hua Savera

We invite you in the cities of Batticaloa, Bombay, Chittagong, Delhi, Dhaka, Karachi, Khulna, Kolkata and Lahore, to change the course of a film's history, sip from its waters, taste its oddness of...

Karachi Seminar: Critical Perspectives on Art and Education

Keynote Presentation: From Janta Colony to Janta Colony (imaginary to destroyed) 1950 to 1982 Via print and film, music, love, bulldozers, state propaganda and peoples archives.

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