Don't Wait for the Archive
Archiving practices and futures of the image.
A workshop and colloquium with pad.ma
The workshop is proposed as a two-week period, more a
time for production than an extended "event". It will
involve working with materials from Beirut (the Cinemayat video
collection from 2006 is one starting point) which will be digitised and
annotated through pad.ma.
Further, filmmakers, writers and researchers are invited to contribute
materials, and to explore ways of writing across and through video
material. During Home Works, the pad.ma
group and the Beirut participants will take part in a 5-hour
colloquium, which will present and discuss our findings.
April 12th to April 22nd
at Sanayeh Space
24 April, Saturday Pad.ma Colloquium at Home Works V, 4:30 pm - 9:30 pm.
Pad.ma Team for workshop:
Namita A. Malhotra is a legal researcher and media practitioner with the Alternative Law Forum (ALF) in Bangalore, India. She initiated the law, media and technology project in ALF. She has been writing on issues of censorship, open content, technology and pornography. She is currently working on a film on technology and sexuality, and a monograph for the Center of Internet and Society, Bangalore on historical and contemporary aspects of law, image and pornography. She has worked on the licensing and legal structure of the Pad.ma online archive.
Lawrence Liang is one of the co founders of Alternative Law Forum (ALF), a collective of lawyers working on various socio-legal issues, from Bangalore. His primary areas of work have been around the politics of intellectual property and culture and he has written and lectured extensively on the area. He works closely with Sarai, New Delhi and is currently writing a book on law, justice and cinema in India. An avid cinephile and collector, Lawrence has been interested in the future of the archive in the digital era, and has been closely involved with the pad.ma project. Occasionally, he has also moonlighted as an artist.
Jan Gerber is an artist and software developer from Berlin. He develops internet platforms for the production and distribution of video material, such as v2v.cc, 0xdb.org, pad.ma, dictionaryofwar.org.
He has initiated research and public events on questions of
intellectual property and piracy in projects such as Pirate Cinema (piratecinema.org)
The Oil of the 21st Century (oil21.org).
He works on the free and open video codec Ogg Theora and related tools
ffmpeg2theora and Firefogg.
Sebastian Lütgert, artist, programmer, writer, co-founder of Bootlab and Pirate Cinema, and lives and works in Berlin. He has co-initiated a number of projects on intellectual property, cinema and the internet, including the cinema archive 0xdb.org, the Oil21.org project, and Pad.ma.
Sanjay Bhangar is a writer and software developer who lives in Mumbai. He is a founder member of CAMP, and has been involved with the pad.ma project since its inception. He is a big believer in the open-source software development model, and in new models of access that online archives can provide. He is currently working on a few web-based projects including a web-to-print publishing platform, a resource site for theatre in India, and online mapping and indexing tools.
Shaina Anand is a filmmaker and artist, and a co-initiator of CAMP and Pad.ma. She has been working independently in film/video since 1997. In 2001, she founded ChitraKarKhana, (http://chitrkarkhana.net) a fully independent unit for experimental media. Her recent works continue to be informed by an interest in information politics, and by a critique of documentary film. Interventionist projects such as WICity TV (2005), Khirkeeyaan (2006), Cold Clinic (2008), and Al Jaar Qabla al Daar (2009) have created new assemblies from within the terrains of operation of contemporary media: television, cable TV, surveillance infrastructures, video archives - towards further possibilities for the image and narrative.
Ashok Sukumaran is an artist whose interests are in archaeologies of media, and in what haunts or underlies network forms and material distributions. Recent subjects in his work include urban water, electricity, cycle rickshaws, sea trade, and "the neighbour". His work takes the form of public projects, exhibitions, films, lectures, and long-term collaborations via CAMP, which he co-founded in 2007.
Hosted by Jadmur Collective, Sanayeh Space.
Colloquim timetable and participants:
A Colloquium with Pad.ma
4:30 p,m Monnot Theatre
> Pad.ma as a Software project: Jan Gerber and Sebastian Lütgert. 20 mins
> What pad.ma contains: Shaina Anand. 20 mins
> Kristine Khouri, Mish Maoul! Documented Divorces and Imaginary Museums. 20 min.
> Mirene Arsanios, Reading Marginalia. 15 min.
> Basma Al Sharif: from We Began by Measuring Distance. 10 min.
> Kaelen Wilson Goldie: A Few Questions: Everything around the X but the X. 20 min.
Discussion. 15 min.
> Yasmine Eid Sabbagh, A Note from Burj Al Shamali Camp. 15 min.
> Namita Malhotra, Images in Trouble. 20 min.
> Omar Dewachi, On Trauma. 10 min.
Discussion. 15 minutes.
Break (7:30 pm - 7:45 pm)
> 10 Theses on the Archive. 30 mins.
Lawrence Liang, Ashok Sukumaran, Sebastian Lütgert.
Discussion. 15 mins
> Bachir Saade, Hizbollah and the Politics of Remembering. 15 min.
Discussion. 10 mins.
> Mansour Aziz. Cinemayat revisited. 10 min.
> Abir Saksouk & Nadine Bekdache, Aita el'Chaab. 15 min.
Abed Kobeissi introduces
Song excerpt from a Maroun Baghdadi film (Ya Ali, 1979)
Towards a Home Works Academy archive
Closing statements. List of pad.ma contributions from Beirut.
We invite you to pad.ma's first major international workshop, a two-week engagement with people, images and archiving practices in Beirut.
Don't Wait for the Archive
Archiving practices and futures of the image.
A workshop and colloquium with pad.ma
To not wait for the archive is often a practical response to the fact that there are missing or absent archives in many parts of the world. And to wait for the state archive, or to wait to be archived, is not a healthy option.
Among the many metaphors for archives that trap time, we could count: the archive as a promised land that remains forever on the horizon, the archive as a crusty or aspirational monument to state heritage, or the archive as a fruit which ripens only to attract the market. But there are other metaphors too, which bring us to other possibilities. There is for example the very old idea of the archive as a garden, in conflict with the idea of the archive as a forest, or as a farm. Or the archive as a river, for instance, which accepts the structure of the archive to be both directional and temporal, and which takes into account phenomena like floods, sediments, leakage, boatmen, driftwood and even drowning. To enter the archive mid-stream is exactly parallel to what the digital does, or is: neither the beginning nor the end of the archive, but the in medias res (in the middle of affairs) of contemporary archiving.
This 10-day workshop, with a team of artists, videomakers, writers, programmers and legal researchers who work on the pad.ma online archive project, is designed to share the imaginations, anxieties, tools and materials that propel image-based archival practices towards their futures. It uses as a basis pad.ma's experience in working with video and the internet, but is interested in broader questions around exhibition, distribution, property and politics that face archival practices today. We hope to find something, in the density of contemporary experiences in Bombay, Bangalore, Berlin, Beirut or on the internet, that can lead us to a shared theory of the archive that goes beyond its dominant canons (Benjamin, Foucault, Derrida).
The workshop is meant to be a time for production and discussion. It is open to anyone who is interested, in writing about or contributing video material. It will take place from April 12- 22, in Sanayeh, 2 pm to 6 pm every day, followed by evening screenings of "Archive Cinema", on alternate days.
12 April: An extended Introduction to pad.ma. What we archive, why, and how, our experiences.
13 April: Internet and digital archives. Emerging questions of archivisation, auto-archiving, networks, labour, law.
14 April: Two parallel threads begin:
a) production around Beirut materials using pad.ma, starting with the Cinemayat collection.
b) conceptual stream around archiving and related questions, including but not limited to:
> The future of the image, the past of the exhibition.
> Still / moving images. Proposals for a still-image archive.
> Database aesthetics and politics.
> Technologies of the self / technologies of objects.
> Censorship, property, commons and other conflicts.
17 April: Saturday, review of Beirut materials in pad.ma.
18 April: Sunday, Writer's day.
22 April: Workshop ends with a set of propositions, for ongoing archival practices in the region.
24 April: Saturday Colloquium at Home Works V, 4:30 pm - 9:30 pm.
We welcome participants who will come in on some days only, but to take part in either of the two threads, or as a video contributor or writer, you should register with us by emailing email@example.com.
pad.ma Colloquium : 24th April, 4:30 pm - 9:30 pm.
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.
Ashok Sukumaran, Simpreet Singh and Shaina Anand perform the housing histories trilogy live on 20 21 22 September during the opening week.
Claudia Cassidy Theater, Chicago Cultural Center
Ishara Art Foundation
Ashok gives a talk at the MMB, as part of the State of Nature series.
A 100-foot long branching sequence of cutouts drawing from the photo archives of The Hindu, a 140-year old newspaper. Cutouts here are a way of reframing existing photographs as new organisms and to create a new boundary or border for the image.
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
New work at the Chennai Photobiennial, drawing from the photo archives of The Hindu, a 140-year old newspaper based out of Chennai.
CAMP presented at the Inhabited Sea roundtable at IIT Bombay. "An initiative that seeks to create a new imaginary for the terrain of Mumbai."