New Museum Theater
235 Bowery, NYC
7:00 pm Thursday, 28 July, 2011
Presented by Shaina A. and Ashok S.
Three years ago, CAMP co-initiated the online footage archive PAD.MA. This was a specific proposal for how video material could exist and be “thrown forth” beyond the limits of the filmmaking economy, and differently from YouTube. Now containing several hundred hours of densely annotated, transcribed, and open-access footage, PAD.MA poses many questions for digital archiving, film, and online video. It also seeds a set of possibilities and practices around footage, distribution, screening, referencing, and writing through video. Its implications for the contexts of art, documentary, and theory will be the subject of this presentation.
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
Artist talk @ Beginnings with CAMP
Workshop with Students of ERG/Artistic Practices and Scientific Complexity Masters/Kobe Matthys at Argos.
Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.
Artist talk: Shaina A at Institute for Comparative Modernity, Cornell University.
A film program at Slought, with Shaina Anand /CAMP about surveillance systems, critical documentary filmmaking, subjectivity and distribution, and a screening of Al Jaar Qabla Al Daar (60 min, 2011), followed by a discussion with filmmaker Shaina and Deborah A. Thomas.
Ishara Art Foundation
Ashok gives a part-biographical talk at the MMB, Mumbai, as part of the State of Nature series. Himalayan horticultural history, sewage-infused ice skating rinks, potato science and a series of proposals for art.
A 100-foot long branching sequence of cutouts drawing from the photo archives of The Hindu, a 140-year old newspaper. Cutouts here are a way of reframing existing photographs as new organisms and to create a new boundary or border for the image.