Two exhibitions:
The Boat Modes in a house in the Karlsaue Park
and with Pad.ma on Afghan Films, in the ex-elisabeth hospital/ex-chinese restaurant.
Returning to Kassel in August for this:
http://andandand.org/events/non-capitalist-web/
The Boat Modes wall text:
A boat has many powers: to gather a society
in its making, to distribute goods, to carry people and ideas across
places that, it seems to us, are more different than ever before. The phrase “Boat modes”
has a practical use here, which is to express the
peculiar and flexible ways in which these boats are manifest in the
Western Indian Ocean. But it also has other possibilities; such as to follow
Bruno Latour in asking a question “in a way that a specific kind of
agency appears.” A matter of tone, or key. Or to create further paths
from these boats’ continued expansion of categories such as “sovereign”,
“pirate”, “container”, “free trade”, “money”, and
“work” at such points where known maritime histories and economics seem to
say: “End!”
Modes appear at the intersection of forces and environments, and are arranged here in the shape of the constellation Pleiades, or Thurayya
in Gujarati and Arabic navigation maps. They accompany a film that
takes us on a journey from the Gulf of Kutch in India to the U.A.E. to
Somali ports, and back. The songs in the film were all found, married to
the cell-phone videos that you see.
The film is 60 minutes, and starts on the hour.
Co-commissioned by Documenta13 and the Sharjah Art Foundation
Camera: Shaina Anand, Junas Bhagad, Mrinal Desai, Sultan Hajji, Zakir Hussain, Mohammed Rafik, Ashok Sukumaran, Siddik Umer, the crew of Safina Al Zilani, Al Madina Mangrol, Al Naved, Sabir Priya and many others.
Editing: Shaina Anand, Sreya Chatterjee
Cruciforms: Ashok Sukumaran, Sindhu Thirumalaisamy, Prerna Bishnoi
With thanks to: Sanjay Bhangar, Zinnia Ambapardiwala, Ranjana Dave at CAMP
Fahad Bishara, Jatin Dua, Kaizad Gherda, Nida Ghouse, Engseng Ho, Eungie Joo, Faiza Khan, Altaf Makhiawala, Radhamohini Prasad, Edward Simpson, Samia Rab, Julia Stoff, Kathy Zarur, and the Foundation for Arts Initiatives.
A screenplay in Courier 12pt melodramatic format, spanning the first three days of lobbying for cabinet spots, in the wake of the Indian general elections of 2009. The dialogue is entirely from phone taps made by the government. The screenplay slows them down and asks: what kinds of environments and scenes may lie behind them, and how are they connected?
Printed screenplay and IVR-based phone line, audience can type in scene numbers to hear dialogue in the original voices. Also performed as a reading.
A workshop at
Afghan Films, Kabul
March 25th to April 15th, 2012
with Shaina Anand, Vijay Chavan, Mariam Ghani, Faiza Khan, Ashok Sukumaran and members and staff of Afghan Films
Our Documenta(13) installation "The Boat Modes" at Freedom, Kunstpalais, Erlangen
On Display at Tate Modern, Media Networks, till November 2022
"Watch and Chill"
83 mins
2013
National Museum of Modern and Contemporary Art, Seoul, and online.
At first, a project on the creek in Sharjah in 2009, from where a large number of ships leave for Somali ports.
CAMP at Sheher o Funn, the inaugural biennale of the city of Lahore with From Gulf to Gulf to Gulf.
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
Low-End Therapy
By Swadesi crew
Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.