Inlaks Fine Art Awardees 2024

machines, skins, traps and five-year plans

CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.

Sunday 14th July from 4pm to 10pm
Walkthroughs with the artists at 6pm and 8pm, conversation at 8:30 pm.

Food and refreshments throughout.

At Urvar,
26-B, Om Siddharaj Society, Kajupada, Borivali East, Mumbai.


Jit Natta is an interdisciplinary art practitioner and researcher whose works are rooted in Bengal's performative and folk traditions. His project Natta Company 0.4.1 explores the history of Natta Company, well known in the Bengal Jatra Movement. Using characters such as Binodini from popular Jatra pieces, and by changing the protocols of staging and re-engaging the Natta community, his project aims to agitate the traditional hegemony and imagine new futures ahead.

Mahesh Mothe works with the agency, personality and expressiveness of machines. His work creates opportunities for machines to attempt existence unbound from utilitarian and aesthetic responsibilities. His usually untitled projects explore machinistic assertions through parallels between the act of moving and marking, the nature and politics of automatons and the drawn lines themselves.

Sewali Deka’s work reflects on the affective forces informing rural life and cultures, especially the collective model of work often espoused by farmers and craftspeople. Her present work "If I am a Leopard" underscores the interplay between ecological health and conservation practices, the survival and coexistence of humans, with leopard habitats.

Anup Let is practicing in a new medium: producing and reflecting on the 'Queer Landscape', a community-oriented perspective on queer life in Delhi and West Bengal. His current project called "A landscape of hope, healing and transformation" explores the socio-political, cultural, and emotional aspects of this terrain by integrating mediums like self-publishing books, clothes, sketches, sculptural objects, photography, and various forms of embodied performance.

This project is a hosting and mentoring collaboration between CAMP and Urvar and Studio ON.

Into the Midst Workshop

Months long workshop initiated by a group of artists in and around Delhi. To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024

Inlaks Fine Art Awardees 2023: Open Studio

Saturday, June 10th 2023, 6pm onwards.

An outcome of a 6-week residency at CAMP in Chuim village Khar, a continuing dialogue with each other and with the studio.

Footage Films, Or Narrating a Dataset

with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)

We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)

From Gulf to Gulf to Gulf

as part of
Heavy Metal Containers

July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm

Broken Cameras

The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار

What the Cameras Saw and Remembered

Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf

Captial Circus (2009)

The Unfaithful Octopus
MAIIAM Contemporary

To See is To Change

with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.


Low-End Therapy
By Swadesi crew Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.

Bombay Tilts Down in Mumbai!

7-channel environment. 13 mins, on loop with two alternating soundtracks

A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.


A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm

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