CAMP
Stitching any shot: this one from Mani Kaul's Aagaman 12:14 to 12:39. Uses stitching, with feathered seams.
Filmed in Colaba, Bombay, 1979.
Stitching any shot: this one from Mani Kaul's Aagaman 12:14 to 12:39. Uses stitching, with feathered seams.
Filmed in Colaba, Bombay, 1979.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
CROWDED HOUSE
machines, skins, traps and five-year plans
CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.
as part of
Heavy Metal Containers
July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm
Months long workshop initiated by a group of artists in and around Delhi.
To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.