CAMP
Camera's landscape. Stitched frames of a shot. This one from Mani Kaul's Aagaman 12:14 to 12:39. Uses stitching, here with feathered seams showing.
Colaba, 1979.
Camera's landscape. Stitched frames of a shot. This one from Mani Kaul's Aagaman 12:14 to 12:39. Uses stitching, here with feathered seams showing.
Colaba, 1979.
MOVE STAY OR DISAPPEAR
Saturday, June 10th 2023, 6pm onwards.
An outcome of a 6-week residency at CAMP in Chuim village Khar, a continuing dialogue with each other and with the studio.
A projection of film clips known and unknown, footage seen and unseen, documents and photographs, and voices of filmmakers present and past.
On the occasion of the Bombay launch of
John Ghatak Tarkovsky : Citizen, Filmmakers, Hackers
by Ashish Rajadhyaksha.
7:00 pm, Sunday June 11
Midnight's Third Child
Readings, Screenings and Discussions
with Naeem Mohaiemen
This artist talk accompanies Modern
Mondays and Signals: How
Video Transformed the World.
Organised by Stuart Comer, Michelle Kuo and Rattanamol SIngh Johal.
Re-Navigating the Afrasian Sea and Notions of Diaspora
featuring The Annotated "Gujarat and the Sea" and The Country of the Sea
Remembering Chandita, the origins of COMET and Bharat Ki Chaap https://phantas.ma/chanditam-bkc Her annotated essay, 2014
Book and Web launch of a video art theory project by Dieter Daniels and Jan Thoben. Includes a presentation of their multi-format essay on njp.ma.
Bombay Tilts Down
13m 14s looped, seven channel environment
2022
Talk by Shaina A in conversation with Gahee Park at the Seoul Museum of Modern Art, about the Wharfage publication and From Gulf to Gulf to Gulf .
Ashok S participates in Experimenter Curators Hub 2022.
Featuring From Gulf to Gulf to Gulf
Organised by Deichtorhallen, Hamburg and Sharjah Art Foundation, curated by Omar Kholeif.
Shaina A speaks at the Getting Real'22 conference organised by the International Documentary Association.
From Gulf to Gulf to Gulf
&
Wharfage