CAMP
Camera's landscape. Stitched frames of a shot. This one from Mani Kaul's Aagaman 12:14 to 12:39. Uses stitching, here with feathered seams showing.
Colaba, 1979.
Camera's landscape. Stitched frames of a shot. This one from Mani Kaul's Aagaman 12:14 to 12:39. Uses stitching, here with feathered seams showing.
Colaba, 1979.
Bombay Tilts Down
13m 14s looped, seven channel environment
2022
Book and Web launch of a video art theory project by Dieter Daniels and Jan Thoben. Includes a presentation of their multi-format essay on njp.ma.
Talk by Shaina A in conversation with Gahee Park at the Seoul Museum of Modern Art, about the Wharfage publication and From Gulf to Gulf to Gulf .
Ashok S participates in Experimenter Curators Hub 2022.
Featuring From Gulf to Gulf to Gulf
Organised by Deichtorhallen, Hamburg and Sharjah Art Foundation, curated by Omar Kholeif.
Shaina A speaks at the Getting Real'22 conference organised by the International Documentary Association.
From Gulf to Gulf to Gulf
&
Wharfage
as part of
Proposals for a Memorial to Partition
Curated by Murtaza Vali
CAMP draws a series of lines between this and that
exhibition. Not only between country A and country
B, or horizontally between peoples or on the plane
of "cultural exchanges" or "extra-national space",
but vertically, or diagonally, reaching out to an
actual place, to its actual power and presence.
at de(Coding) Mumbai
With Shaina, Ashok, Simpreet
and Adarsh, Alyque, Naezy, Nayak, Medha, Sandeep, Rajjo, Tiger...
For All Vahanvatti is designed to help a group think from the sea, rather than from the land. CAMP with Reliable Copy Propositions.
Ashok S participated in the School of Environment and Architecture annual conference, with a suggestion on the deployment of abstractions.
Ashok (remote) and Shaina (in-person) participated in the last panel of the March Meeting, New Forms of Surveillance and Extraction.