Ulhasnagar Matrix and other interventions

Lost Homeland of Sindh
Dara Shukoh Library

Ulhasnagar Matrix is a permanent installation at the Partition Museum at the Dara Shukoh Library. Other interventions into the Lost Homeland of Sindh gallery include Windows to Sindh and From the Film Archive.

Ulhasnagar Matrix
2024
LED profiles, custom electronics, handwritten text.

Ulhasnagar was a World War II military transit camp that housed lakhs of Sindhi and Punjabi Partition refugees, and that quickly developed into a full-fledged city, built over five camps, with its own special urban character. This room consists of journeys of people “via Ulhasnagar”. Patterns of why and where people moved, what they did for work and pleasure, and who followed whom, light up this matrix of movement and individual stories.

We can think of migrations as having a kernel of desire and hope, even in the worst circumstances. Details of why and where people move or stay as they seek better lives, tell us more about the world than simplified histories. Ulhasnagar became a kind of fertile refuge, a camp in which people developed social contacts and survival techniques, and cultivated dreams and desires that carried them elsewhere, kept them in Ulhasnagar, or made them choose or return to this place, later in life.

By CAMP
With original research and interviews by CAMP and Vandana Govindani, Seema Menghani and Manthan Bachani. Calligraphy by Gurpreet Kaur.

Special thanks to Dr. Subhadra Anand, Dr Ram Jawhrani, Asha Chand, Peter Dhalwani, Manoj Lassi and the many participants in Ulhasnagar and around the world that we conversed with.

Windows to Sindh
45 mins loop
with Vloggers from Sindh
Through the archways of this Muhari or balcony from Shikarpur, we take a low-flying tour through the region of Sindh today, visiting its unique natural landscapes and cities, syncretic religious sites and shrines, ancient, mediaeval and colonial monuments and historical landmarks. A portal to Sindh made possible via the generosity of contemporary vloggers.

From the Film Archive
20 mins loop
An annotated journey through archival footage, documenting the syncretic traditions of Sindh in the 1930’s, the arrival and settling of Sindhi refugees in India, their literary and cultural events and the movements to recognise Sindhi as a language in the constitution, and to retain the Perso-Arabic Sindhi script. It includes excerpts from the Sindhi language feature film Abana (1958) that includes footage of the migration from Sindh and the “item” song Hede Hede Hede, filmed on location in Ulhasnagar that has people jiving and making light of their “position” in the camps.

Ulhasnagar Matrix
You Are Now

as part of
Proposals for a Memorial to Partition
Curated by Murtaza Vali

CAMP draws a series of lines between this and that exhibition. Not only between country A and country
B, or horizontally between peoples or on the plane of "cultural exchanges" or "extra-national space",
but vertically, or diagonally, reaching out to an actual place, to its actual power and presence.



Sydney Biennale 2026

Coming soon…

Night Sweats, and Menggodam

Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.

Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.

Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.

Commemorating a Revolution yet to come,

Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण

Gwangju Biennale 2026

CAMP took part in the 16th Gwangju Biennale Pre-Programme events.

screenings and masterclass with CAMP

Doc’s Kingdom

International Seminar on Documentary Film
“A collective / inarticulate harmony.”

Reading Listening Seeing - Bombay Tilts Down

A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week

Singapore Biennale

Metabolic Container

Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.

Structural Film After Globalisation

featuring CCTV Social and Pad.ma playlists.

All Events