as part of
Proposals for a Memorial to Partition
Curated by Murtaza Vali
CAMP draws a series of lines between this and that exhibition. Not only between country A and country
B, or horizontally between peoples or on the plane of "cultural exchanges" or "extra-national space",
but vertically, or diagonally, reaching out to an actual place, to its actual power and presence.
For South Asia, it is important that our ideas do
not operate at the level of the imaginary, or
symbolic, but enter a psychogeographic reality,
a kind of "touching”.
The work is made of 9 on-site recordings of the
audio guide to the Partition Museum in Amritsar,
now in a spatial, ghostly, or open relation to
works in this show. Does one entering the other
imply the other way around? Not necessarily.
But it may produce a feeling of cohabitation: on a
plane of felt possibility and not impossibility.
Lost Homeland of Sindh
Dara Shukoh Library
Ulhasnagar Matrix is a permanent installation at the Partition Museum at the Dara Shukoh Library. Other interventions into the Lost Homeland of Sindh gallery include Windows to Sindh and From the Film Archive.
CAMP at Sheher o Funn, the inaugural biennale of the city of Lahore with From Gulf to Gulf to Gulf.
Video project that takes us on new and recently rebuilt roads in Pakistan, Sri Lanka, the Maldives, and India. Endoscopic views from the interior of the road system, and of the interfaces through which pride, money, data, climate, and vulnerability are connected to it, heighten our sense of developmental possibility, failure, and the deep ambiguity of road achievements.
‘A Passage Through Passages’ is a collaboration with anthropologists, and draws upon ethnographic and archival work in five field sites. This film is part of Roads and the Politics of Thought, a 5-year ethnographic study of road-building in South Asia.
From Gulf to Gulf to Gulf atDhaka Art SummitBangladesh Shilpakala AcademyExperimental Film Programme8th and 9th February 2014
A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Curated by Hoor Al Qasimi
Opening soon, CAMP solo in NYC.
Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.
Shaina A gave a talk at the film studies conference at EFLU, Hyderabad titled Film After Video, Notes from CAMP.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it.
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Al Jaar Qabla Al Daar
Streaming on Union Docs.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Asia Pacific Triennial