"film objects" A gathering organised by the Delhi based artist group first draft.
Saturday from 5 pm.
Participants bring a film scene where a film object has powers.
Join us at CAMP’s studio to assemble objects in cinema: a clock, a cyclone, a train, a minaret or a tune; amid others of varying scales, material and imagination, that possess character, intensity or agency comparable to the story's protagonists. Objects that the protagonists desire, fear, care for, sing songs about, inhabit or come out of, are conditioned by, etc. In other words, elements of their environment. The gathering will use film clips of such objects as a meeting point.
Participants are encouraged to bring a scene/excerpt from a film (1 to 3 mins) that focuses on such an object and that resonates with them (with a possibility of bringing a physical object too). We will replace the logic of ’information-cut-information-’ with object-cut-object— to understand the ways in which film interrupts and reveals something of such object and their networks , beyond their everyday presence, representation, or form, instead imbuing the power to narrate a story.
If you are interested to join or want to know more, please rsvp at studio.camp/contact. Early responders will be able to access the database of indiancine.ma.
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Metabolic Container
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.