Phantas.ma Season - II
Feb. 20, 2025 - July 20, 2025
Phantas.ma is running a season dedicated to CAMP as part of Video After Video: The Critical Media of CAMP at MoMA.
A video a day, on the site.
sign up!
Phantas.ma is running a season dedicated to CAMP as part of Video After Video: The Critical Media of CAMP at MoMA.
A video a day, on the site.
sign up!
Clips, edits, sirens and phantoms from the annotated archives pad.ma, indiancine.ma and related sites. An invitation to absorb, discuss, navigate and contribute new and old time-based media, in a weekly rhythm. To feel the ideas in them, and their potential in and as art, film, daily life, new theory and use. Without the frameworks of social media ;)
Home page is refreshed every Monday, older weeks remain as long-term references.
Contact and to contribute: emailATphantas.ma
To get notifications on new postings join the (you will be anonymous) telegram channel here.
Organised by Stuart Comer and Rattanamol Singh Johal.
"film objects"
A gathering organised by the Delhi based artist group first draft.
Saturday from 5 pm.
Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.
Shaina A gave a talk at the film studies conference at EFLU, Hyderabad titled Film After Video, Notes from CAMP.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it.
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Al Jaar Qabla Al Daar
Streaming on Union Docs.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Asia Pacific Triennial