by Wang Bing
232 mins | 2023
6:30 pm*
Note* film starts earlier than usual, at 6:30pm, on account of its runtime. There will be a short interval with food.
This short :) Wang Bing film follows 17 to 20-year old garment workers over several years, in what feels simultaneously like a familiar place, like say the garment factory in Prateek Vats' Jal Tu Jalaal Tu or the basement Karkhanas in Shaina Anand's Khirkeeyaan , and also an unfamiliar one. As if you have travelled to the next factory town, and space and time has evolved society into a surprisingly different version. Bing is a patient, if not the most patient, observer, editor and show-er of this world. With a capacity to stay and in this case, with Youth.
In 2014, as part of Rivers without Banks, a season of long films at CAMP, we saw his debut film, the nine-and-a-half-hour-long West of the Tracks, 2003, set in the heavy-industry Teixi district of Shenyang at the cusp of the millennium and at a time of decline of a socialist era of industrial production. It was an afternoon, evening and then night as the film moved outdoors, and it had the gentle power of observation that had deep and lingering interest in its world. Wang Bing is aware of the problem of speaking for others, but takes it on in its fullness. His gaze and edit is that of a "nearby" comrade, guiding the transmission of such experiences, that then we are all asked to partake in.
Two decades and a prolific filmography later, Wang Bing gives us Youth. Part 1 - Spring, that premiered at Cannes in 2023 where it competed for the Palme d'Or, rare for a documentary film. The Youth trilogy was filmed between 2014 and 2019 in Zhili, 90 minutes from Shanghai and home to a garment industry of 20,000 small-scale stitching units making children's clothing. It had 2,600 hours of footage, and took a pandemic to edit into film.
See you there!
RSVP required: https://studio.camp/contact
Directions: https://studio.camp/directions
A roof-top venue that has been active since 2007, in this location since 2009.
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it. Featuring among others Patrice Lumumba, Krishna Menon, Malcolm X, Maya Angelou, Nikita Khrushchev, Nina Simone, Dizzy Gillespie, Duke Ellington, Abbey Lincoln, Adou Elenga...
Pad.ma invites you toRivers without Banks at CAMP27th December, 2013 through 27th January, 2014Before the start of a new year; and among big and small resolutions for the future we chose to ask ourselves what is free cinema today, what is its political and perceptual economy, and what could we summon of its powers, before embarking on new journeys of making and thinking. Rivers without Banks is a screening program of films whose durations extend beyond conventional length. But importantly, this is not a collection put together quantitatively, even as we may argue that the epic scales present in the chosen films carry the weight of histories, and put together chronologically show us a century where individual everyday lives face the annals of terrible power; where the human condition battles with nature and technology, with love and loss, with good and evil.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation
6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)