DADA

with Kamal Swaroop and collaborators. 

Live Event 
The New Medium II: Footage Films
17 Oct, PVR Icon audi 1, 6.30

It began three decades ago on a break from filmmaking, with a speculative quest for Dadasaheb Phalke's missing biography. It continues to-date as an extraordinarily generous and generative project involving travel, pedagogy, the imagining and bearing fruit of an archive.


At first it was a giant scrapbook, drawing out the life and times of Phalke by mining words and images- painstakingly typed by Priya Krishnaswamy and obsessively cut out and pasted by Kamal Swaroop. Pages bursting with dense associative leaps; while in the margins lay a chronology of technology, the birth and maturing of cinema and a rich history of modern art as seen from India.

At the turn of this century, the Phalke project became an ambitious and mobile pedagogic project. Tracing the geography of Phalke's life, it moved to cities such as Pune, Baroda, Nashik, Bombay, Kolhapur and Varanasi. Students of art and film schools in these places created new stories, storyboards, imaginations and montages drawing from a rich material repository, in turn relayed to another group of students, and another. Today, the project has grown into a screenplay for a new film.

Join the collaborators on a multi-media-archaeological journey with DADA.






Kamal Swaroop is a 1974 graduate from FTII in direction, his 1998 Om-Dar-Ba-Dar remains one of the most formally innovative and exhilarating films to come out of Indian cinema. A new generation of award winning FTII direction alumna, Hansa Thapliyal (1997) and Renu Savant (2007) joined him on this epic journey of Tracing Phalke. Hansa's imagery is bold and free, and has brought to life many characters through her Phalke Stories. Renu was researcher on the project, her own four-hour film 'Many Months in Mirya' was recently presented the John Abraham award for 2017.

THE NEW MEDIUM I

A chronological viewing of 14 films beginning with Vertovs Man with the Movie Camera, and concluding with Farockis Parallel I-IV; The New Medium presents innovations in Cinema.


At the 18th MAMI Film Festival
20th October to 27th October 2016
Mumbai

When the moving image came into being it was seen as the seventh art, an alchemical medium with the potential to transform the spatial arts: architecture, sculpture and painting, and the temporal arts: music, poetry and dance.

The New Medium

The New Medium ​was a curated programme for the Mumbai International Film Festival for three consecutive years (2016-2018). The inaugural program - in a twisted art-historical mode - framed cinema as a new medium (125 years old, when compared to the other arts), and scoured the century of cinema chronologically...

THE NEW MEDIUM II - FOOTAGE FILMS

14 films and three live events that explode the relationship between Footage and Films into a galaxy of possibilities.
Curated by Shaina Anand
at MAMI
October 12 to October 18, 2017



Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.

*Recalling Far From Vietnam, collectively-made essay film from 1967.

Asia Pacific Triennial

Machine Visions

On AI by CAMP

From Gulf to Gulf to Gulf

Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.

الجار قبل الدار The Neighbour Before the House

Film screening, and conversation 6-8:00 pm

The Neighbour before the House

Geographies of Belonging

Visiting Artist Lecture Series

From Land to Sea

From Gulf to Gulf to Gulf

Vertical Integration

We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.

Footage Films, Or Narrating a Dataset

with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)

We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)

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