DADA

with Kamal Swaroop and collaborators. 

Live Event 
The New Medium II: Footage Films
17 Oct, PVR Icon audi 1, 6.30

It began three decades ago on a break from filmmaking, with a speculative quest for Dadasaheb Phalke's missing biography. It continues to-date as an extraordinarily generous and generative project involving travel, pedagogy, the imagining and bearing fruit of an archive.


At first it was a giant scrapbook, drawing out the life and times of Phalke by mining words and images- painstakingly typed by Priya Krishnaswamy and obsessively cut out and pasted by Kamal Swaroop. Pages bursting with dense associative leaps; while in the margins lay a chronology of technology, the birth and maturing of cinema and a rich history of modern art as seen from India.

At the turn of this century, the Phalke project became an ambitious and mobile pedagogic project. Tracing the geography of Phalke's life, it moved to cities such as Pune, Baroda, Nashik, Bombay, Kolhapur and Varanasi. Students of art and film schools in these places created new stories, storyboards, imaginations and montages drawing from a rich material repository, in turn relayed to another group of students, and another. Today, the project has grown into a screenplay for a new film.

Join the collaborators on a multi-media-archaeological journey with DADA.






Kamal Swaroop is a 1974 graduate from FTII in direction, his 1998 Om-Dar-Ba-Dar remains one of the most formally innovative and exhilarating films to come out of Indian cinema. A new generation of award winning FTII direction alumna, Hansa Thapliyal (1997) and Renu Savant (2007) joined him on this epic journey of Tracing Phalke. Hansa's imagery is bold and free, and has brought to life many characters through her Phalke Stories. Renu was researcher on the project, her own four-hour film 'Many Months in Mirya' was recently presented the John Abraham award for 2017.

THE NEW MEDIUM I

A chronological viewing of 14 films beginning with Vertovs Man with the Movie Camera, and concluding with Farockis Parallel I-IV; The New Medium presents innovations in Cinema.
At the 18th MAMI Film Festival
20th October to 27th October 2016
Mumbai
When the moving image came into being it was seen as the seventh art, an alchemical medium with the potential to transform the spatial arts: architecture, sculpture and painting, and the temporal arts: music, poetry and dance.

The New Medium

The New Medium ​was a curated programme for the Mumbai International Film Festival for three consecutive years (2016-2018). The inaugural program - in a twisted art-historical mode - framed cinema as a new medium (125 years old, when compared to the other arts), and scoured the century of cinema chronologically...

THE NEW MEDIUM II - FOOTAGE FILMS

14 films and three live events that explode the relationship between Footage and Films into a galaxy of possibilities.
Curated by Shaina Anand
at MAMI
October 12 to October 18, 2017



Video After Video | The Critical Media of CAMP

We're happy to announce this show.
Organised by Stuart Comer and Rattanamol Singh Johal.
Stay tuned!

A Terrible Beauty

by Iram Ghufran
50 mins, 2023
7:00 pm

Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.

Youth (Spring)

by Wang Bing
232 mins | 2023
6:30 pm*

Soundtrack to a Coup d'Etat

by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it.

Around the World Again

Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.

Geographies of Belonging

Al Jaar Qabla Al Daar
Streaming on Union Docs.

Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.

Bombay Tilts Down

Asia Pacific Triennial

Machine Visions

On AI by CAMP

All Events