Navjot Altaf presents aspects of her ongoing work in Bastar, and new work, including a two-phase video project on the Barakhamba Road in Delhi.
An informal evening with Navjot and friends on CAMP roof.
Navjot Altaf has for many years sustained relationships
with communities and individuals via her work. A singular figure in
the Indian art scene in this respect, she has also been one of the early
adopters of video as a medium, alongside photography and her well-known
work in sculpture and installations that traversed art/ craft
distinctions as well as author/ subject relations.
For this evening presentation Navjot will lead us through an update
on Kondagaon, at the Bastar artists centre where "no one taught anyone",
yet there have been many years of production, which now faces some
changed political realities. Then she discusses her newer work, such as
"Barakhamba 2010", and "Delhi Loves Me", which she feels she has not
received sufficient feedback on, despite their "public" nature.
Shaina Anand, who has followed Navjot's work and interviewed her for the upcoming Khoj book, will moderate the discussion.
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
Low-End Therapy
By Swadesi crew
Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.