Kondagaon updates and Barakhamba road 2008-2010


Navjot Altaf presents aspects of her ongoing work in Bastar, and new work, including a two-phase video project on the Barakhamba Road in Delhi.
An informal evening with Navjot and friends on CAMP roof.

Saturday, 20th March, 2010.
7:30 pm onwards.
CAMP Roof


Navjot Altaf has for many years sustained relationships with communities and individuals via  her work. A singular figure in the Indian art scene in this respect, she has also been one of the early adopters of video as a medium, alongside photography and her well-known work in sculpture and installations that traversed art/ craft distinctions as well as author/ subject relations.

For this evening presentation Navjot will lead us through an update on Kondagaon, at the Bastar artists centre where "no one taught anyone", yet there have been many years of production, which now faces some changed political realities. Then she discusses her newer work, such as "Barakhamba 2010", and "Delhi Loves Me", which she feels she has not received sufficient feedback on, despite their "public" nature.

Shaina Anand, who has followed Navjot's work and interviewed her for the upcoming Khoj book, will moderate the discussion.

Sydney Biennale 2026

Coming soon…

Planetary Public Goods

Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.

Night Sweats, and Menggodam

Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.

Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.

Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.

Commemorating a Revolution yet to come,

Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण

Gwangju Biennale 2026

CAMP took part in the 16th Gwangju Biennale Pre-Programme events.

screenings and masterclass with CAMP

Doc’s Kingdom

International Seminar on Documentary Film
“A collective / inarticulate harmony.”

Reading Listening Seeing - Bombay Tilts Down

A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week

Singapore Biennale

Metabolic Container

Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.

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