Opening November 10, 6pm
With a reading of the screenplay
Act I: Swearing-in Whispers followed by a screening of
Act-II: Hum Logos
Corruption: Everybody Knows curated by Natasha Ginwala, continues through December 19, 2015 at E-flux, NY
CAMP: The Radia Tap(e)s
in Two Acts
Act I (Swearing-in Whispers) is a screenplay in Courier 12pt melodramatic format, spanning the first three days of lobbying for cabinet spots, in the wake of the Indian general elections of 2009. The dialogue is entirely from phone taps made by the government. The screenplay slows them down and asks: what kinds of environments and scenes may lie behind them, and how are they connected?
Reading by : Murtaza Vali, Mariana Silva, Siddhartha Lokanandi, Rattanamol Singh Johal, Brian Kuan Wood, Debashree Mukherjee, Chloe X... thanks!
Act II (Hum Logos) is a 45-minute audio film following on from where the screenplay ends, taking us into the next two months, with the new cabinet in power. The film asks: if debate around these tapes was about whether they are edited or not, or as Justice Mukhopadhay put it, "splice has been added", then what can further editing do?
Act II (Hum Logos) is a 45-minute audio film spliced from the Pad.ma collection of the Radia Tapes. It covers two months after the Indian general elections of 2009, with the new cabinet in power. The film asks: if debate around these tapes was about whether they are edited or not, or as Justice Mukhopadhay put it, "splice has been added", then what can further editing do?
A screenplay in Courier 12pt melodramatic format, spanning the first three days of lobbying for cabinet spots, in the wake of the Indian general elections of 2009. The dialogue is entirely from phone taps made by the government. The screenplay slows them down and asks: what kinds of environments and scenes may lie behind them, and how are they connected?
Printed screenplay and IVR-based phone line, audience can type in scene numbers to hear dialogue in the original voices. Also performed as a reading.
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".
Experimenter, Kolkata
September 23, 2011 - December 8, 2011
This exhibition proposes an after-form and before-form for two of
art's (and our own) usual objects. The first is a film that was shot over last
year on the English Channel that is now re-installed in Kolkata, making a certain claim for its universality.
The second is a "not-yet-film" treatment of the
Radia leaks as a screenplay, with an audio guide as its
soundtrack. Both these are moments lit up by separate alignments of, broadly, government,
technology, and opportunity...
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
CROWDED HOUSE
machines, skins, traps and five-year plans
CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.
as part of
Heavy Metal Containers
July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm
Months long workshop initiated by a group of artists in and around Delhi.
To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار