with Kamal Swaroop and collaborators. 

Live Event 
The New Medium II: Footage Films
17 Oct, PVR Icon audi 1, 6.30

It began three decades ago on a break from filmmaking, with a speculative quest for Dadasaheb Phalke's missing biography. It continues to-date as an extraordinarily generous and generative project involving travel, pedagogy, the imagining and bearing fruit of an archive.

At first it was a giant scrapbook, drawing out the life and times of Phalke by mining words and images- painstakingly typed by Priya Krishnaswamy and obsessively cut out and pasted by Kamal Swaroop. Pages bursting with dense associative leaps; while in the margins lay a chronology of technology, the birth and maturing of cinema and a rich history of modern art as seen from India.

At the turn of this century, the Phalke project became an ambitious and mobile pedagogic project. Tracing the geography of Phalke's life, it moved to cities such as Pune, Baroda, Nashik, Bombay, Kolhapur and Varanasi. Students of art and film schools in these places created new stories, storyboards, imaginations and montages drawing from a rich material repository, in turn relayed to another group of students, and another. Today, the project has grown into a screenplay for a new film.

Join the collaborators on a multi-media-archaeological journey with DADA.

Kamal Swaroop is a 1974 graduate from FTII in direction, his 1998 Om-Dar-Ba-Dar remains one of the most formally innovative and exhilarating films to come out of Indian cinema. A new generation of award winning FTII direction alumna, Hansa Thapliyal (1997) and Renu Savant (2007) joined him on this epic journey of Tracing Phalke. Hansa's imagery is bold and free, and has brought to life many characters through her Phalke Stories. Renu was researcher on the project, her own four-hour film 'Many Months in Mirya' was recently presented the John Abraham award for 2017.

CAMP: Beginnings

CAMP exhibition at ARGOS, Brussels as part of new beginnings at ARGOS itself.

A Photogenetic Line: Experimenter 2019

A 100-foot long branching sequence of cutouts drawing from the photo archives of The Hindu, a 140-year old newspaper. Cutouts here are a way of reframing existing photographs as new organisms and to create a new boundary or border for the image.

In Cameras Res at De Appel Amsterdam

On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.

CCTV TV: An evening with CAMP

In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.

A Photogenetic Line : CPB 2019

New work at the Chennai Photobiennial, drawing from the photo archives of The Hindu, a 140-year old newspaper based out of Chennai.

worker photography_from ahmedabad, surat, mumbai

Save the date for this event with Aajeevika Bureau. The format is, watching 60 projected photographs over two hours, while talking about them. Several photographers will attend.

Festival des Trois Continents

Celebrates its 40th year with an inventory of 40 films and a publication. CAMPs From Gulf to Gulf to Gulf along with films of Wang Bing, Edward Yang, Tsai Ming-Liang, Lav Diaz, Akram Zaatari, Lucrecia Martel, Hou Hsiao-hsien, Abbas Kiarostami...

Evening Landscape from the Control Room

From the rooftop of this artists' studio in Chuim Village, you are taken on a virtual tour of the neighbourhood. 90 minutes: Live video, audio and archival print material, with live commentary.

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