Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
We invite you to a rare opportunity to watch two acclaimed films by Mumbai based artist group, CAMP.
CAMP’s film works employ distinct video materials and methods to explore entanglements between medium, message and the politics of looking. In From Gulf to Gulf to Gulf, (2013) mobile phone videos filmed by sea-farers in the Western Indian Ocean across many years provide a rare glimpse into the translocal, yet intimate worlds of oceanic trade and media flows. In The Neighbour Before the House, (2009-11) eight Palestinian families in Jerusalem film their neighbourhoods using CCTV cameras mounted on their homes; returning the gaze of surveillance and re-orienting both operational images and subject-positions of citizens.
in
The Unfaithful Octopus
as part of
Heavy Metal Containers
July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Five films by CAMP curated by Vassily Bourikas and Filmmaker Festival
21st march
6:00 pm Khirkeeyaan (2006) 17 mins
and Hum Logos (2012) 45 mins
at Careof DOCVA, Milan
22nd March
Cinema Palestrina, Milan
5:30 pm
The Neighbour before the House (2011) 60 mins
7:30 pm
From Gulf to Gulf to Gulf (2013), 83 mins
22:00 pm
The Country of the Blind, and Other Stories (2011), 60 mins
Al Jaar Qabla Al Daar
The Neighbour before the House
A.M Qattan Foundation
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
الجار قبل الدار The Neighbour before the House 60 mins 2009-2011 Toronto Palestine Film Festival
Feature-length film by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins. Original format(s): HDV, SDV, VHS, Cellphone videos (variable). Stereo audio and in-cameraphone music.
This artist talk accompanies Signals: How
Video Transformed the World.
Organised by Stuart Comer, Michelle Kuo and Rattanamol SIngh Johal.
If Jerusalem is the capital of both Israel and Palestine, and on the eve of Netanyahu's visit to a historically Palestine-friendly India, we bring you two films with surprising images and voices...
الجار قبل الدار
“The Neighbour
before the House” is a series of video probes into the landscape of East
Jerusalem. Shot with a CCTV security camera, these images show that before and after instrumental "surveillance", there is inquisitiveness, jest,
memory, desire and doubt that pervades the project of watching. A voice finds an image, an image is probed beneath its surface, thoughts withdraw or rebound.In these specific times and places, camera movements and live commentary become ways in which Palestinian residents evaluate what can be seen, and speak about the nature
of their distance from others.
60 mins, SD CCTV video and sync audio.
Filmed in 2009 and edited into this film in 2011.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)