This artist talk accompanies Signals: How
Video Transformed the World.
Organised by Stuart Comer, Michelle Kuo and Rattanamol SIngh Johal.
The evening was about a form of video that is all around us, and a series of positions around it. That present some alternatives to what a friend of ours recently called the: "the loneliness of being alone with Big Brother". That means, just you and the Panopticon. You and the Society of Control. You and Surveillance Capitalism.
So, the idea is to prevent some of these analytical and literary concepts of surveillance and control from becoming too dominant in our heads and bodies -
To prevent them from becoming… self-fulfilling prophecies.
Let's begin with some alternatives to Big Brother...
Photos: Eana Kim
at
CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP. With Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
A newly commissioned video performance in the "Grand Stair".
Reclaiming the strange spectatorship of viewers who entered the 19th-century Camera Obscura rooms to see live views of their surroundings in today's time of real-time hyper surveillance, CAMP invites us to experience a contemporary form of Live Cinema.
Nam June Paik Art Center Prize
An exhibition of the "contextually rich, environment-shifting media works of CAMP".
13m 14s looped, seven channel environment with alternating soundtracks
2022
Filmed by CCTV camera from a single-point location in South-Central Mumbai.
Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.
De Appel, Amsterdam
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
A 200-year neighbourhood story told through a single camera mounted on a cinema hall, 90 minutes.
Opening event
The New Medium II: Footage Films
Friday 13th Oct 2017
5:30 pm to 7:00 pm
IMAX at PVR Phoenix
also
Monday 16th Oct 2017
5:30 pm to 7:00 pm
PVR Phoenix 6
Screenings of three CAMP films
June 21 to 29
MoMA, New York
Flaherty Seminar Program
and
Modern MondayJune 23, at 7:00 pm
You Must Change Your Life w/ Bombay Tilts Down
Shaina A presented a video performance, screenings, and was part of a panel on archives.
at Field Recordings 6
Screening, followed by Q and A with CAMP.
With filmmakers and scholars Helen Grace and Iqbal Barkat who also feature in the film.
Helen will introduce the film and Iqbal will lead and moderate the post-screening discussion with CAMP.
2pm to 5pm.
At the Biennale of Sydney.
Learning from 3 years of Inlaks Fine Art Awardees at CAMP.
With Anup, Vanshika, Mohit, Sheshadev and Biswajeet.
Al Jaar Qabla Al Daar
Caillou Film Festival
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
SYDNEY OPERA
CCTV, 102 mins
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.