Tate Modern
This artist talk accompanies Signals: How
Video Transformed the World.
Organised by Stuart Comer, Michelle Kuo and Rattanamol SIngh Johal.
A newly commissioned video performance in the "Grand Stair".
Reclaiming the strange spectatorship of viewers who entered the 19th-century Camera Obscura rooms to see live views of their surroundings in today's time of real-time hyper surveillance, CAMP invites us to experience a contemporary form of Live Cinema.
Tate Modern
Transformer Galleries and Tanks
Ten Days Six Nights
March 24 to April 2, 2017
CAMP presents a series of works including Windscreen, Capital Circus, One Agreement and Four-letter Film.
We also host Camera Obscura, an evening with video and talking, on the 29th of March.
On Display at Tate Modern, Media Networks, till November 2022
A 200-year neighbourhood story told through a single camera mounted on a cinema hall, 90 minutes.
Opening event
The New Medium II: Footage Films
Friday 13th Oct 2017
5:30 pm to 7:00 pm
IMAX at PVR Phoenix
also
Monday 16th Oct 2017
5:30 pm to 7:00 pm
PVR Phoenix 6
Unreliable Narrators:
Stings to Leaks to Citizen Vigilantes
Saturday May 31, 2014
6pm to 8pm
HKW Berlin.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
A conversation between two people, at the smallest possible bandwidth, that one could call "film", or narrative. Made of four alphanumeric characters, each having 14 segments. First made using Christmas lights in 2004. Remade in 2015.
LED structure, DMX controller, computer.
From Stings to Leaks to Citizen Vigilantes
A video lecture at CAMP RoofTuesday June 10 7:30 - 10:30 pm
In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.
Filmed at the then largest mall in Europe, the Arndale Center, which had been built over the centre of Manchester town after an IRA bombing in 1992. Filmed using the 208 cameras of the mall, from the control room. Over a hundred subjects were followed after they signed a "release form" combining CCTV and documentary image release protocols.
Part of the project CCTV Social.
27 mins, CCTV video.
A single camera mounted on the roof of Gem Cinema brings us multifarious textures, factoids and fabulations
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Metabolic Container
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.