Camera Obscura
March 29, 2017 - March 30, 2017
Tate Modern
Presented in parallel with CAMP’s Could Have Beens installation in the Transformer Galleries and East Tank, this live presentation provides fascinating insight into the group’s politically-engaged working methods. Could Have Beens will be on view throughout the evening alongside the work of Fred Moten & Wu Tsang, Isabel Lewis and Fujiko Nakaya, Ryuichi Sakamoto and Shiro Takatani.
Gallery: Camera Obscura
Related
May 15, 2023 - May 16, 2023
MoMA, NYC
This artist talk accompanies Signals: How
Video Transformed the World.
Organised by Stuart Comer, Michelle Kuo and Rattanamol SIngh Johal.
Sept. 8, 2023
M+, Hongkong.
A newly commissioned video performance in the "Grand Stair".
Reclaiming the strange spectatorship of viewers who entered the 19th-century Camera Obscura rooms to see live views of their surroundings in today's time of real-time hyper surveillance, CAMP invites us to experience a contemporary form of Live Cinema.
March 23, 2017 - April 3, 2017
Nov. 1, 2019 - Dec. 1, 2022
London
On Display at Tate Modern, Media Networks, till November 2022
Oct. 12, 2017 - Oct. 17, 2017
PVR Phoenix Mills
May 31, 2014 - June 1, 2014
HKW Berlin
Unreliable Narrators:
Stings to Leaks to Citizen Vigilantes
March 14, 2019 - March 15, 2019
LIMA, Amsterdam
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
A conversation between two people, at the smallest possible bandwidth, that one could call "film", or narrative. Made of four alphanumeric characters, each having 14 segments. First made using Christmas lights in 2004. Remade in 2015.
LED structure, DMX controller, computer.
June 10, 2014 - June 13, 2014
From Stings to Leaks to Citizen Vigilantes
A video lecture
at
CAMP Roof
Tuesday June 10
7:30 - 10:30 pm
In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.
Filmed at the then largest mall in Europe, the Arndale Center, which had been built over the centre of Manchester town after an IRA bombing in 1992. Filmed using the 208 cameras of the mall, from the control room. Over a hundred subjects were followed after they signed a "release form" combining CCTV and documentary image release protocols.
Part of the project CCTV Social.
27 mins, CCTV video.
Jan. 27, 2018 - March 1, 2018
Gem Cinema
A single camera mounted on the roof of Gem Cinema brings us multifarious textures, factoids and fabulations
Events
Dec. 6, 2024
Widener Hall, Penn Museum, UPENN
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Nov. 30, 2024 - April 24, 2025
Queensland Art Gallery | Gallery of Modern Art, Brisbane
Nov. 14, 2024
Public Trust, Philadelphia
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Nov. 7, 2024
12 Gates Art, Philadelphia
Film screening, and conversation 6-8:00 pm
Sept. 19, 2024
Columbia University
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
Aug. 27, 2024 - Dec. 20, 2024
Center For Experimental Ethnography, UPENN
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)