At the Berlin Documentary Forum

Unreliable Narrators: Stings to Leaks to Citizen Vigilantes

Saturday May 31, 2014
6pm to 8pm
HKW Berlin. 

Digitisation has opened up new possibilities for surveillance and circulation, deployed both by and against hegemonic formations of power.

In this presentation, documentarists Shaina Anand and Ashok Sukumaran (from CAMP) turn their attention to three categories of media central to the articulation of India as a control society over the past five years: stings, leaks, and citizen vigilante videos. The sting is a form of investigative journalism that offers entertainment value on par with Bollywood or Big Boss (India’s Big Brother). In cases such as the filming of suspects of the 2008 Mumbai terrorist attacks undergoing narco-analysis, the sting emerges as a site at which privacy is compromised in favour of a marriage of justice and spectacle. The leak ruptures the media system to dump data on a suprahuman scale. Working with the recordings of tapped telephone conversations between Nira Radia, a corporate lobbyist, and many prominent figures in Indian business and politics that were leaked to the press in 2010, Anand and Sukumaran probe how making affective and political sense of the leak requires new forms borrowed from old media, such as cinema. Unpacking the aesthetic and political effects of the phenomenon of the citizen vigilante video—a form that became a major force in participatory democracy in India in early 2014 after the Aam Aadmi ("Common Man") party called on citizens to provide audiovisual evidence of bribe-taking officials— Anand and Sukumaran will explore how public imagination fills in the gaps evident in these testimonial media fragments.


Unreliable Narrators, Introduction.

Camera Obscura

Tate Modern
29th March, 2017, 7:00 pm
South Tank

Phantas.ma/polis

The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma

Could Have Beens

Tate Modern
Transformer Galleries and Tanks
Ten Days Six Nights
March 24 to April 2, 2017
CAMP presents a series of works including Windscreen, Capital Circus, One Agreement and Four-letter Film.
We also host Camera Obscura, an evening with video and talking, on the 29th of March.

The X-Ray Files

From Stings to Leaks to Citizen Vigilantes
A video lecture at CAMP RoofTuesday June 10 7:30 - 10:30 pm

CCTV TV: An evening with CAMP

In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.

CCTV Landscape from Lower Parel

A 200-year neighbourhood story told through a single camera mounted on a cinema hall, 90 minutes.
Opening event
The New Medium II: Footage Films
Friday 13th Oct 2017
5:30 pm to 7:00 pm
IMAX at PVR Phoenix
also
Monday 16th Oct 2017
5:30 pm to 7:00 pm
PVR Phoenix 6



Video After Video | The Critical Media of CAMP

Opening soon, CAMP solo in NYC.

The (Reshuffled) Year of the Everlasting Storm

Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.

A Terrible Beauty

by Iram Ghufran
50 mins, 2023
7:00 pm

Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.

Youth (Spring)

by Wang Bing
232 mins | 2023
6:30 pm*

Soundtrack to a Coup d'Etat

by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it.

Around the World Again

Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.

Geographies of Belonging

Al Jaar Qabla Al Daar
Streaming on Union Docs.

Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.

Bombay Tilts Down

Asia Pacific Triennial

All Events