The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
Phantas.ma/polis, is the new location for the video art programme of the biennial, “Phantasmapolis: Looking Back to the Future”. Using the time-based annotation, timeline views and edit features of Pad.ma, Phantas.ma/polis showcases the participating artists’ videos along with extended commentaries by the curator, artists and critics. Over the duration of the biennial, it will evolve to bring the artworks in conversation with each other through both formal and interpretative recombinations of the featured works. The video art programme is curated by Anushka Rajendran
An extended discussion on digital archiving, hosted by oil21.org and CAMP. At Prithvi House, Juhu, Mumbai.
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
We invite you in the cities of Batticaloa, Bombay, Chittagong, Delhi, Dhaka, Karachi, Khulna, Kolkata and Lahore, to change the course of a film's history, sip from its waters, taste its oddness of...
Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.
Thursday, February 28, 2008.
PAD.MA is an online archive of video material, primarily footage and not finished films, that has been densely text-annotated. The entire collection is searchable and viewable online, and is free to download for non-commercial use.
We see PADMA as a way of opening up a set of images, intentions and effects present in video footage -- resources that conventions of video-making, editing and viewing have over time tended to suppress, or make unavailable.
Saturday, 18th August, 2012
7:00pm
Venue: CAMP Rooftop
Program:
1) Introduction to the Afghan Films and Pad.ma workshop in conjunction with documenta13 in Kassel and Kabul.
2) Screening: Audiences and Crowds from the Afghan Films Archive (a cut from the archive, made and screened in Kabul in April), 23 minutes
3) An annotated filmography of Engineer Latif Ahmadi, Afghanistan's most prolific filmmaker in recent times.
4) Screening: Khan-e-Tarikh (House of History) 1996. An essay film by Qader Taheri made during the civil war using archival footage from Afghan Films.
5) Discussion with Shaina Anand, Faiza Ahmad Khan, Ashok Sukumaran, who were part of the workshop in Kabul, and invited guests.
Workshop, screening and exhibition as part of India Film Week, Trondheim, Norway
October 4-9, 2011
CAMP, 0x2620 and Pad.ma invite you to:
Unreliable Narrators:
Stings to Leaks to Citizen Vigilantes
New Museum Theater
235 Bowery, NYC
7:00 pm Thursday, 28 July, 2011
A workshop at
Afghan Films, Kabul
March 25th to April 15th, 2012
with Shaina Anand, Vijay Chavan, Mariam Ghani, Faiza Khan, Ashok Sukumaran and members and staff of Afghan Films
Sanjay Bhangar from CAMP and Jan Gerber (0x2620) present the pad.ma project at the Image Mouvement Forum organized by the Centre D'art Contemporain, Geneva.
The pad.ma archive will be showing as a multi-terminal installation / exhibition in this library in Delhi.
British Council Library,
17, Kasturba Gandhi Marg,
New Delhi- 110001
Open Times:
10:00 am to 10:00 pm
Friday and Saturday,
August 21 and 22, 2009
Seminar
at LUX, Shacklewell Studios, London
17th October, 3pm
Archive and Ethics
Keynote by Shaina Anand
Cantor Film Center, NYU
12th April, 2014
Organized by
Department of Film Studies, Jadavpur University
in collaboration with
Pad.ma
October 30-31, 2014
Anita Banerjee Memorial Hall, Jadavpur University main campus
We will be doing a presentation of pad.ma at the Homi Bbhabha Centre for Science and Education on
Tuesday, Feb. 23rd, 2010, 5pm onwards.
Sunday, February 26, 2012
6:30 PM
CAMP roof
301 Alif Apartments,
34-A Chuim Village, Khar, Bombay 400052
With Reena Katz Jesal Kapadia and Brian McCarthy, and Naeem Mohaiemen
in collaboration with http://pad.ma
At TPW Gallery R&D, Toronto
Images Festival
10-26 April, 2014
Don't Wait for the Archive
Archiving practices and futures
of the image.
A workshop and colloquium with pad.ma
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Pad.ma has a sister project.
Indiancine.ma is an annotated online archive of Indian film.
Part 1 of the housing histories project, Ghar Mein Shehar Hona: From Janata Colony to Janata Colony (imaginary to destroyed), is online.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)