Pad.ma @ Image Mouvement, Geneva
Dec. 13, 2010 - Dec. 14, 2010
Sanjay Bhangar from CAMP and Jan Gerber (0x2620) present the pad.ma project at the Image Mouvement Forum organized by the Centre D'art Contemporain, Geneva.
Sanjay Bhangar from CAMP and Jan Gerber (0x2620) present the pad.ma project at the Image Mouvement Forum organized by the Centre D'art Contemporain, Geneva.
The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
You Must Change Your Life w/ Bombay Tilts Down
Shaina A presented a video performance, screenings, and was part of a panel on archives.
at Field Recordings 6
Screening, followed by Q and A with CAMP.
With filmmakers and scholars Helen Grace and Iqbal Barkat who also feature in the film.
Helen will introduce the film and Iqbal will lead and moderate the post-screening discussion with CAMP.
2pm to 5pm.
At the Biennale of Sydney.
Learning from 3 years of Inlaks Fine Art Awardees at CAMP.
With Anup, Vanshika, Mohit, Sheshadev and Biswajeet.
Al Jaar Qabla Al Daar
Caillou Film Festival
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
SYDNEY OPERA
CCTV, 102 mins
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.