is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
Pad.ma has a sister project.
Indiancine.ma is an annotated online archive of Indian film.
The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
Thursday, February 28, 2008.
PAD.MA is an online archive of video material, primarily footage and not finished films, that has been densely text-annotated. The entire collection is searchable and viewable online, and is free to download for non-commercial use.
We see PADMA as a way of opening up a set of images, intentions and effects present in video footage -- resources that conventions of video-making, editing and viewing have over time tended to suppress, or make unavailable.
Pad.ma invites you to
Rivers without Banks
at CAMP
27th December, 2013 through 27th January, 2014
Before the start of a new year; and among big and small resolutions for the future we chose to ask ourselves what is free cinema today, what is its political and perceptual economy, and what could we summon of its powers, before embarking on new journeys of making and thinking.
Rivers without Banks is a screening program of films whose durations extend beyond conventional length. But importantly, this is not a collection put together quantitatively, even as we may argue that the epic scales present in the chosen films carry the weight of histories, and put together chronologically show us a century where individual everyday lives face the annals of terrible power; where the human condition battles with nature and technology, with love and loss, with good and evil.
December 21-22, 2007
An extended discussion on digital archiving, hosted by oil21.org and CAMP.
Don't Wait for the Archive
Archiving practices and futures
of the image.
A workshop and colloquium with pad.ma
New Museum Theater
235 Bowery, NYC
7:00 pm Thursday, 28 July, 2011
A workshop at
Afghan Films, Kabul
March 25th to April 15th, 2012
with Shaina Anand, Vijay Chavan, Mariam Ghani, Faiza Khan, Ashok Sukumaran and members and staff of Afghan Films
Sanjay Bhangar from CAMP and Jan Gerber (0x2620) present the pad.ma project at the Image Mouvement Forum organized by the Centre D'art Contemporain, Geneva.
The pad.ma archive will be showing as a multi-terminal installation / exhibition in this library in Delhi.
British Council Library,
17, Kasturba Gandhi Marg,
New Delhi- 110001
Open Times:
10:00 am to 10:00 pm
Friday and Saturday,
August 21 and 22, 2009
Seminar
at LUX, Shacklewell Studios, London
17th October, 3pm
at
Asia Art Archive in America
Brooklyn, NY
3:30 pm, 13th April, 2014
Archive and Ethics
Keynote by Shaina Anand
Cantor Film Center, NYU
12th April, 2014
Organized by
Department of Film Studies, Jadavpur University
in collaboration with
Pad.ma
October 30-31, 2014
Anita Banerjee Memorial Hall, Jadavpur University main campus
We will be doing a presentation of pad.ma at the Homi Bbhabha Centre for Science and Education on
Tuesday, Feb. 23rd, 2010, 5pm onwards.
Sunday, February 26, 2012
6:30 PM
CAMP roof
301 Alif Apartments,
34-A Chuim Village, Khar, Bombay 400052
With Reena Katz Jesal Kapadia and Brian McCarthy, and Naeem Mohaiemen
in collaboration with http://pad.ma
At TPW Gallery R&D, Toronto
Images Festival
10-26 April, 2014
As politics fail, nationalist ideologies gain traction, and segregative tendencies multiply, an urge for a new, different “we” becomes apparent...
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Clips, edits, sirens and phantoms from the annotated archives pad.ma, indiancine.ma and related sites. An invitation to absorb, discuss, navigate and contribute new and old time-based media, in a weekly rhythm. To feel the ideas in them, and their potential in and as art, film, daily life, new theory and use. Without the frameworks of social media ;)
Home page is refreshed every Monday, older weeks remain as long-term references.
Contact and to contribute: emailATphantas.ma To get notifications on new postings join the (you will be anonymous) telegram channel here.
A roof-top venue that has been active since 2007, in this location since 2009.
Video project that takes us on new and recently rebuilt roads in Pakistan, Sri Lanka, the Maldives, and India. Endoscopic views from the interior of the road system, and of the interfaces through which pride, money, data, climate, and vulnerability are connected to it, heighten our sense of developmental possibility, failure, and the deep ambiguity of road achievements.
‘A Passage Through Passages’ is a collaboration with anthropologists, and draws upon ethnographic and archival work in five field sites. This film is part of Roads and the Politics of Thought, a 5-year ethnographic study of road-building in South Asia.
A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.
The New Medium was a curated programme for the Mumbai International Film Festival for three consecutive years (2016-2018). The inaugural program - in a twisted art-historical mode - framed cinema as a new medium (125 years old, when compared to the other arts), and scoured the century of cinema chronologically...
A space we built and run with others, located in the R and R colony of Lallubhai Compound, Mumbai.
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".
CAMP presents
Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.
