Thursday, February 28, 2008.
PAD.MA is an online archive of video material, primarily footage and not finished films, that has been densely text-annotated. The entire collection is searchable and viewable online, and is free to download for non-commercial use.
We see PADMA as a way of opening up a set of images, intentions and effects present in video footage -- resources that conventions of video-making, editing and viewing have over time tended to suppress, or make unavailable.
Preview and website launch of PAD.MA:
the public access digital media archive.
Thursday, 28th february 2008
6:00pm
Jnanapravaha,
3rd floor, Queen's Mansion,
(Opposite Gallery Chemould)
G.Talwatkar Marg,
Fort, Mumbai-1.
For directions, see:
http://camputer.org/images/jnanaMap.jpg
Event Timeline:
6:00 pm.
Introductions, and the Collaborative Project: Shaina Anand, Ashok Sukumaran.
The Dominant, Residual and Emergent in the Imagination of the Archive: Lawrence Liang.
Lost/Found/Public, from Images to Narratives: Madhusree Dutta.
Introduction to a True History of Digital Video: Sebastian Luetgert,
and Unveiling of pad.ma website with Jan Gerber.
7:30 pm. Interval: Browse through the archive over tea and snacks.
8:00 pm.
Legal framework: Namita Malhotra.
Practical FAQs, and how you can contribute: Sanjay Bhangar.
Q and A session, moderated by Bishakha Dutta.
PAD.MA is an online archive of video material, primarily footage and not finished films, that has been densely text-annotated. The entire collection is searchable and viewable online, and is free to download for non-commercial use.
We see PAD.MA as a way of opening up a set of images, intentions and effects present in video footage-- resources that conventions of video-making, editing and viewing have tended to suppress, or leave behind. This "expanded" form then points to other political potentials for such material, towards less-known territory that lies beyond the finite documentary film format or the youtube clip.
The design of the archive makes possible various types of "viewing" and contextualisation: from an overview of themes and timelines to much closer readings of transcribed dialogue and geographical location, to layers of writing: clip-level descriptions and other annotations by both archive contributors and online users. At the moment, PAD.MA has approximately 150 "events" on video, mostly from Mumbai and Bangalore. This adds up to about 100 hours of fully transcribed video footage, which we expect to grow to more than 400 hours by early 2009.
The PAD.MA project is initiated by a group consisting of oil21.org from Berlin, the Alternative Law Forum from Bangalore, and three organisations from Mumbai: Majlis, Point of View and ChitrakarKhana /CAMP.
Pad.ma has a sister project.
Indiancine.ma is an annotated online archive of Indian film.
The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Metabolic Container
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.
featuring CCTV Social and Pad.ma playlists.