Thursday, February 28, 2008.
PAD.MA is an online archive of video material, primarily footage and not finished films, that has been densely text-annotated. The entire collection is searchable and viewable online, and is free to download for non-commercial use.
We see PADMA as a way of opening up a set of images, intentions and effects present in video footage -- resources that conventions of video-making, editing and viewing have over time tended to suppress, or make unavailable.
Preview and website launch of PAD.MA:
the public access digital media archive.
Thursday, 28th february 2008
6:00pm
Jnanapravaha,
3rd floor, Queen's Mansion,
(Opposite Gallery Chemould)
G.Talwatkar Marg,
Fort, Mumbai-1.
For directions, see:
http://camputer.org/images/jnanaMap.jpg
Event Timeline:
6:00 pm.
Introductions, and the Collaborative Project: Shaina Anand, Ashok Sukumaran.
The Dominant, Residual and Emergent in the Imagination of the Archive: Lawrence Liang.
Lost/Found/Public, from Images to Narratives: Madhusree Dutta.
Introduction to a True History of Digital Video: Sebastian Luetgert,
and Unveiling of pad.ma website with Jan Gerber.
7:30 pm. Interval: Browse through the archive over tea and snacks.
8:00 pm.
Legal framework: Namita Malhotra.
Practical FAQs, and how you can contribute: Sanjay Bhangar.
Q and A session, moderated by Bishakha Dutta.
PAD.MA is an online archive of video material, primarily footage and not finished films, that has been densely text-annotated. The entire collection is searchable and viewable online, and is free to download for non-commercial use.
We see PAD.MA as a way of opening up a set of images, intentions and effects present in video footage-- resources that conventions of video-making, editing and viewing have tended to suppress, or leave behind. This "expanded" form then points to other political potentials for such material, towards less-known territory that lies beyond the finite documentary film format or the youtube clip.
The design of the archive makes possible various types of "viewing" and contextualisation: from an overview of themes and timelines to much closer readings of transcribed dialogue and geographical location, to layers of writing: clip-level descriptions and other annotations by both archive contributors and online users. At the moment, PAD.MA has approximately 150 "events" on video, mostly from Mumbai and Bangalore. This adds up to about 100 hours of fully transcribed video footage, which we expect to grow to more than 400 hours by early 2009.
The PAD.MA project is initiated by a group consisting of oil21.org from Berlin, the Alternative Law Forum from Bangalore, and three organisations from Mumbai: Majlis, Point of View and ChitrakarKhana /CAMP.
Pad.ma has a sister project.
Indiancine.ma is an annotated online archive of Indian film.
The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
6:00-8:00 pm
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
CROWDED HOUSE
machines, skins, traps and five-year plans
CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.