at
Asia Art Archive in America
Brooklyn, NY
3:30 pm, 13th April, 2014
All
gestures in video should be measured, or rubbed up against, its own
ordinary. Pad.ma is an archive primarily of footage and not films. It
tries to catch this ordinary, and some of its qualities and evolution,
in the Indian context in particular. It collects materials and works
intensively through them to try and make sense of intentions,
technologies, accidents and effects. It asks whether a film can be
beautiful from the inside as well as the outside. It thus enquires about
not only in what is visible, but also about the backend in which
machines or souls that propel or cast images and sounds in a particular
way. Even though the video ordinary is constantly overflowing and
receding from our attention, Pad.ma tries to parse some of it, for
threads that may lead us to new paths.
This hour-long assembly
from Pad.ma, made and presented using the website, tells a story of the
evolution of the video everyday; its practices, effects, appearances and
affirmations in relation to an everyday life that itself is changing.
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Metabolic Container
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.
featuring CCTV Social and Pad.ma playlists.