Pad.ma, and the possible

July 28, 2011 - July 29, 2011


New Museum Theater
235 Bowery, NYC
7:00 pm Thursday, 28 July, 2011

Presented by Shaina A. and Ashok S.
Three years ago, CAMP co-initiated the online footage archive PAD.MA. This was a specific proposal for how video material could exist and be “thrown forth” beyond the limits of the filmmaking economy, and differently from YouTube. Now containing several hundred hours of densely annotated, transcribed, and open-access footage, PAD.MA poses many questions for digital archiving, film, and online video. It also seeds a set of possibilities and practices around footage, distribution, screening, referencing, and writing through video. Its implications for the contexts of art, documentary, and theory will be the subject of this presentation.

Gallery: Pad.ma, and the possible

Related

Phantas.ma/polis
Oct. 30, 2021 - March 31, 2022

The video art programme of the 2021 Asian Art Biennial

Presented by Pad.ma

Pad.ma

is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.

Fwd: Re: Archive
March 9, 2018 - March 11, 2018
Max Meuller Bhavan and G5A, Mumbai

The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.



Events

Broken Cameras
April 4, 2024 - May 5, 2024
Salt Beyoğlu, Online

featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار

March 30, 2024 Re-Visioning Indian Cinema

Shaina A speaks about CAMPs past present future project and https://indiancina.me and https://phantas.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies’.
What the Cameras Saw and Remembered
March 16, 2024 - March 17, 2024
Capitol Cinema, Melbourne

Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf

Captial Circus (2009)
March 9, 2024 - July 15, 2024
Chiang Mai

in
The Unfaithful Octopus
at
MAIIAM Contemporary

To See is To Change
March 1, 2024 - April 27, 2024
RMIT Design Hub Gallery, Melbourne

with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.

Closing Party! BOMBAY TILTS DOWN
Jan. 21, 2024 - Jan. 21, 2024
Sassoon Docks, Mumbai

Low-End Therapy
By Swadesi crew Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.

READING LISTENING SEEING Bombay Tilts Down
Jan. 12, 2024 - Jan. 20, 2024
Sassoon Docks, Mumbai

A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm

Bombay Tilts Down in Mumbai!
Jan. 12, 2024 - Jan. 21, 2024
Sassoon Docks, Mumbai

7-channel environment. 13 mins, on loop with two alternating soundtracks

A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.

Dec. 15, 2023 at Networks of Sonic Thinking, Sarai.

CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
Nov. 22, 2023 A Road, Twelve Water Systems, Sixty Thousand Movies...

What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.
All Events