New Museum Theater
235 Bowery, NYC
7:00 pm Thursday, 28 July, 2011
Presented by Shaina A. and Ashok S.
Three years ago, CAMP co-initiated the online footage archive PAD.MA.
This was a specific proposal for how video material could exist and be
“thrown forth” beyond the limits of the filmmaking economy, and differently from
YouTube. Now containing several hundred hours of densely annotated,
transcribed, and open-access footage, PAD.MA poses many questions for
digital archiving, film, and online video. It also seeds a set of
possibilities and practices around footage, distribution, screening,
referencing, and writing through video. Its implications for the contexts of
art, documentary, and theory will be the subject of this presentation.
The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Metabolic Container
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.
featuring CCTV Social and Pad.ma playlists.