New Museum Theater
235 Bowery, NYC
7:00 pm Thursday, 28 July, 2011
Presented by Shaina A. and Ashok S.
Three years ago, CAMP co-initiated the online footage archive PAD.MA.
This was a specific proposal for how video material could exist and be
“thrown forth” beyond the limits of the filmmaking economy, and differently from
YouTube. Now containing several hundred hours of densely annotated,
transcribed, and open-access footage, PAD.MA poses many questions for
digital archiving, film, and online video. It also seeds a set of
possibilities and practices around footage, distribution, screening,
referencing, and writing through video. Its implications for the contexts of
art, documentary, and theory will be the subject of this presentation.
The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.