As If – I Rock, Paper, Scissors
EXPERIMENTER, Kolkata
January 7 - February 10 2015
In three early works, the roles of subject, medium and author are already rearranged. They struggle with each other on an equal plane. In sculpture, video is seen as a physical force disturbing and seducing subjects. Next to this, a collaboration unfolds in a large mall, in which security people, members of the public and 208 cameras are participants. A third work jujitsus television sets, CCTV and neighbours to reconfigure space, speech and hierarchy in a Delhi neighbourhood.
As If – II Flight of the Black Boxes
24 JORBAGH, New Delhi
January 27 - February 24 2015
Technology’s black boxes are probed and tested. Feelings and strategies develop within and through them. Members of the public enter security, rooms to dialogue with operators. Elsewhere, a single CCTV camera films from the parapets of Palestinian homes, looking over neighbourhoods that have been
broken up into countries. A room camera obscura interrupts the black box of video art with live bodies and trees. The house itself, in a constant state of exhibition and erasure, extrudes changing alphabets in a new work called four-letter film.
As If – III Country of the Sea
DR. BHAU DHAJI LAD MUSEUM, Mumbai
February 21 - April 7 2015
A journey with CAMP’s five-year Wharfage project and related maritime explorations. The city premiere of the widely-travelled film From Gulf to Gulf to Gulf. In other antagonisms: labour deep inside containers, lists arguing with lists, photographs of other photographs, and a wall map titled The Country of the Sea. A counterpoint to both the imperial 'view from the boat'; and to
contemporary metaphors of the 'liquidity' and 'flow' of oceanic and global relations.
As If – IV Night For Day
CHEMOULD PRESCOTT ROAD, Mumbai
March 9 - April 30 2015
Choreographed together, electric, sonic, filmic and other uncharacterisable works from 2002-2014 that took place in the nighttime worlds of Bombay, Delhi, Bangalore, Sharjah, Dakar, Kabul and other cities. 'Day for Night' in film is when scenes shown as night are actually shot in the day. The reverse
idea promotes night as the imaginative, cinematic and subterranean aspect that undergirds daytime and troubles the 'everyday' by distributing its energies differently.
As If - tV
CLARK HOUSE INITIATIVE, Mumbai
March 29 - May 30 2015
A fifth and surprise show takes place in the intimate setting of Clark House Bombay, in which CAMP members look back at early broadcast experiments and works that revolve around television. Interventions into TV's changing landscape are seen in early projects such as Rustle TV, a utopian TV station inside a market, or WICity TV, programming generated for a 3500-home cable TV channel in Bangalore. Among newer works, a future-facing proposal is made in As-If TV, a 24x7 channel streaming 90-minute edited programs from the Pad.ma online archive.
A journey with CAMP’s five-year Wharfage project and related maritime explorations.
As If - III Country of the Sea
9th April, 2015
March 20, 2015
Clips, edits, sirens and phantoms from the annotated archives pad.ma, indiancine.ma and related sites. An invitation to absorb, discuss, navigate and contribute new and old time-based media, in a weekly rhythm. To feel the ideas in them, and their potential in and as art, film, daily life, new theory and use. Without the frameworks of social media ;)
Home page is refreshed every Monday, older weeks remain as long-term references.
Contact and to contribute: emailATphantas.ma To get notifications on new postings join the (you will be anonymous) telegram channel here.
A roof-top venue that has been active since 2007, in this location since 2009.
Video project that takes us on new and recently rebuilt roads in Pakistan, Sri Lanka, the Maldives, and India. Endoscopic views from the interior of the road system, and of the interfaces through which pride, money, data, climate, and vulnerability are connected to it, heighten our sense of developmental possibility, failure, and the deep ambiguity of road achievements.
‘A Passage Through Passages’ is a collaboration with anthropologists, and draws upon ethnographic and archival work in five field sites. This film is part of Roads and the Politics of Thought, a 5-year ethnographic study of road-building in South Asia.
The New Medium was a curated programme for the Mumbai International Film Festival for three consecutive years (2016-2018). The inaugural program - in a twisted art-historical mode - framed cinema as a new medium (125 years old, when compared to the other arts), and scoured the century of cinema chronologically...
A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.
A space we built and run with others, located in the R and R colony of Lallubhai Compound, Mumbai.
Pad.ma has a sister project.
Indiancine.ma is an annotated online archive of Indian film.
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".
CAMP presents
Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.