Feature-length film by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins.
Original format(s): HDV, SDV, VHS-C, Cellphone videos (variable formats). Stereo audio and in-cameraphone music.
Featuring The Country of the Sea
Re-Navigating the Afrasian Sea and Notions of Diaspora
featuring The Annotated "Gujarat and the Sea" and The Country of the Sea
For All Vahanvatti is designed to help a group think from the sea, rather than from the land. CAMP with Reliable Copy Propositions.
A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Curated by Hoor Al Qasimi
Nam June Paik Art Center Prize
An exhibition of the "contextually rich, environment-shifting media works of CAMP".
"Watch and Chill"
83 mins
2013
National Museum of Modern and Contemporary Art, Seoul, and online.
On Display at Tate Modern, Media Networks, till November 2022
Celebrates its 40th year with an inventory of 40 films and a publication. CAMPs From Gulf to Gulf to Gulf along with films of Wang Bing, Edward Yang, Tsai Ming-Liang, Lav Diaz, Akram Zaatari, Lucrecia Martel, Hou Hsiao-hsien, Abbas Kiarostami...
General Rehearsal
A show in three acts from the collections
of V-A-C, MMOMA and KADIST
CAMP at Sheher o Funn, the inaugural biennale of the city of Lahore with From Gulf to Gulf to Gulf.
CAMP at Transmediale 2018, Berlin with reprinted Wharfage, The Annotated "Gujarat and the Sea" Exhibition and The Country of the Sea cyanotype.
20 mins, HD. 2 - channel installation
Cantonese, Mandarin
Filmed in Guangzhou at the Zhuhai International Container Terminal
Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative
22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory
AS IF is a series of exhibitions by CAMP across the winter /spring of 2014-15.
As If (I-V)
As If – I Rock, Paper, Scissors
EXPERIMENTER, Kolkata
January 7 - February 20 2015
As If – II Flight of the Black Boxes
24 JORBAGH, New Delhi
January 27 - February 24 2015
As If – III Country of the Sea
BHAU DHAJI LAD MUSEUM, Mumbai
February 21 - April 7 2015
As If – IV Night For Day
CHEMOULD PRESCOTT ROAD, Mumbai
March 9 - April 30 2015
As If – tV
Clark House Initiative, Mumbai
March 29 - May 20 2015
Our Documenta(13) installation "The Boat Modes" at Freedom, Kunstpalais, Erlangen
4 channel HDV, 8 minutes
A film that compiles observations made by volunteer guards watching the English Channel, over one year. Filmed by small cameras connected to the eyepiece of telescopes.
Produced with the National Coastwatch Institution, Folkestone, Kent, UK.
60 minutes, 5.1 surround sound.
An exhibition that builds upon photos of another exhibition that was made of photos of....
(An exhibition building upon photos of another exhibition, and more)
You Must Change Your Life w/ Bombay Tilts Down
Shaina A presented a video performance, screenings, and was part of a panel on archives.
at Field Recordings 6
Screening, followed by Q and A with CAMP.
With filmmakers and scholars Helen Grace and Iqbal Barkat who also feature in the film.
Helen will introduce the film and Iqbal will lead and moderate the post-screening discussion with CAMP.
2pm to 5pm.
At the Biennale of Sydney.
Learning from 3 years of Inlaks Fine Art Awardees at CAMP.
With Anup, Vanshika, Mohit, Sheshadev and Biswajeet.
Al Jaar Qabla Al Daar
Caillou Film Festival
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
SYDNEY OPERA
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Shaina joined artists Sheela Gowda, Rekha Rodwittya, Indrapramit Roy, Gigi Scaria and moderator Gayatri Sinha for a conversation inaugurating Intersections- an exhibition commemorating 50 years of the Inlaks Foundation at Arthshila, Delhi.