Feature-length film by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins.
Original format(s): HDV, SDV, VHS-C, Cellphone videos (variable formats). Stereo audio and in-cameraphone music.
Re-Navigating the Afrasian Sea and Notions of Diaspora
featuring The Annotated "Gujarat and the Sea" and The Country of the Sea
Organised by Bonaventure Soh Bejeng Ndikung, Natasha Ginwala, Hajra Haidar.
20 mins, HD. 2 - channel installation
Cantonese, Mandarin
Filmed in Guangzhou at the Zhuhai International Container Terminal
Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative
22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory
Nam June Paik Art Center Prize
An exhibition of the "contextually rich, environment-shifting media works of CAMP".
Our Documenta(13) installation "The Boat Modes" at Freedom, Kunstpalais, Erlangen
Celebrates its 40th year with an inventory of 40 films and a publication. CAMPs From Gulf to Gulf to Gulf along with films of Wang Bing, Edward Yang, Tsai Ming-Liang, Lav Diaz, Akram Zaatari, Lucrecia Martel, Hou Hsiao-hsien, Abbas Kiarostami...
On Display at Tate Modern, Media Networks, till November 2022
Featuring The Country of the Sea
4 channel HDV, 8 minutes
A film that compiles observations made by volunteer guards watching the English Channel, over one year. Filmed by small cameras connected to the eyepiece of telescopes.
Produced with the National Coastwatch Institution, Folkestone, Kent, UK.
60 minutes, 5.1 surround sound.
A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Curated by Hoor Al Qasimi
For All Vahanvatti is designed to help a group think from the sea, rather than from the land. CAMP with Reliable Copy Propositions.
"Watch and Chill"
83 mins
2013
National Museum of Modern and Contemporary Art, Seoul, and online.
An exhibition that builds upon photos of another exhibition that was made of photos of....
AS IF is a series of exhibitions by CAMP across the winter /spring of 2014-15.
As If (I-V)
As If – I Rock, Paper, Scissors
EXPERIMENTER, Kolkata
January 7 - February 20 2015
As If – II Flight of the Black Boxes
24 JORBAGH, New Delhi
January 27 - February 24 2015
As If – III Country of the Sea
BHAU DHAJI LAD MUSEUM, Mumbai
February 21 - April 7 2015
As If – IV Night For Day
CHEMOULD PRESCOTT ROAD, Mumbai
March 9 - April 30 2015
As If – tV
Clark House Initiative, Mumbai
March 29 - May 20 2015
CAMP at Transmediale 2018, Berlin with reprinted Wharfage, The Annotated "Gujarat and the Sea" Exhibition and The Country of the Sea cyanotype.
General Rehearsal
A show in three acts from the collections
of V-A-C, MMOMA and KADIST
(An exhibition building upon photos of another exhibition, and more)
CAMP at Sheher o Funn, the inaugural biennale of the city of Lahore with From Gulf to Gulf to Gulf.
Opening soon, CAMP solo in NYC.
Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.
Shaina A gave a talk at the film studies conference at EFLU, Hyderabad titled Film After Video, Notes from CAMP.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it.
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Al Jaar Qabla Al Daar
Streaming on Union Docs.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Asia Pacific Triennial