March 4, 2022 - July 4, 2022
Bait Al Serkal, Sharjah Art Foundation

A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Curated by Hoor Al Qasimi

Dec. 12, 2015 - Feb. 1, 2016

Men-at-Work with Boxes in Stereo
20 mins, HD. 2 - channel installation
Cantonese, Mandarin
Filmed in Guangzhou at the Zhuhai International Container Terminal

March 8, 2015 - June 30, 2015

Queens Museum, NY
Mar 8 2015m - Jun 28 2015
From Gulf to Gulf to Gulf (83 mins)
and Stuffing and Destuffing (4 channel looped video 9 mins)

Sept. 8, 2023
M+, Hongkong.

A newly commissioned video performance in the "Grand Stair".
Reclaiming the strange spectatorship of viewers who entered the 19th-century Camera Obscura rooms to see live views of their surroundings in today's time of real-time hyper surveillance, CAMP invites us to experience a contemporary form of Live Cinema.

Feb. 21, 2015 - April 9, 2015
DR. BHAU DHAJI LAD MUSEUM, Mumbai

A journey with CAMP’s five-year Wharfage project and related maritime explorations.

Dec. 12, 2012 - March 18, 2013

CAMP presents
Destuffing Matrix
2012
4 x 3 channel HDV, 8 minutes.
2nd floor, Pepper House, Fort Kochi
12/12/12 to 13/03/13Show extended till 17/03/13

4 channel HDV, 8 minutes

A film that compiles observations made by volunteer guards watching the English Channel, over one year. Filmed by small cameras connected to the eyepiece of telescopes.
Produced with the National Coastwatch Institution, Folkestone, Kent, UK.
60 minutes, 5.1 surround sound.

Oct. 15, 2008 - May 16, 2009

At first, a project on the creek in Sharjah in 2008-2009, from where a large number of ships leave for Somali ports.

Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country

LED profiles, custom electronics, handwritten text.

13m 14s looped, seven channel environment with alternating soundtracks
2022

Filmed by CCTV camera from a single-point location in South-Central Mumbai.

De Appel, Amsterdam

On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.

A 100-foot long sequence of photo-cutouts, first shown at the Chennai Photo Biennale, March 2019

MATRIX

Of mother, womb, array, environment in which more specialised structures can grow.



Theater Münster
Neubrückenstraße 63
10 Jun - 1 Oct, 2017
Site-specific installation with Electric cable, switches, speakers, monitors, custom electronics.

Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative 22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory

A three-channel installation from 8mm film
From the Clark House family archives, sequenced in a timeline as above.
Each screen is a different part of the same 8mm frame, usually a face.

Feature-length film by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins.
Original format(s): HDV, SDV, VHS-C, Cellphone videos (variable formats). Stereo audio and in-cameraphone music.