A 100-foot long branching sequence of cutouts, from the photo archives of The Hindu, a 140-year old newspaper based in Chennai.
Here, cutouts are a way of reframing and rebirthing existing photographs as new organisms. Not to remove their background environments, nor to frame heroic figures, but to create a new boundary or border for the image... a border that leads us to the next image.
The sequence evolves by following one or more of these basic rules:
a. Things in the background come into the foreground, or vice versa.
b. People in the images grow older, or younger.
c. Two photo captions refer to each other.
2024
To See is to Change , Photo 24, RMIT Gallery, Melbourne (solo)
2022
Passages through Passages, Sharjah Art Foundation, Sharjah
2019
A Photogenetic Line, Experimenter, Kolkata (solo)
Fauna of Mirrors, Chennai Photo Biennale, Senate House, Chennai