A 100-foot long branching sequence of cutouts drawing from the photo archives of The Hindu, a 140-year old newspaper.
Cutouts here are a way of reframing existing photographs as new organisms, not to remove their background environments, nor to frame heroic figures, but to create a new boundary or border for the image. This border, interior or exterior, leads one to the next image.
The sequence evolves by following one or more of three basic rules :
a. People in the images grow older, or younger.
b. Things in the background come into the foreground, or vice versa.
c. Two photo captions refer to each other.
The line generated in this way, crosses many perceptual (shape), historical (time) and geographic (political) boundaries. Here, like in cinema, the cut is not a brick wall but an invitation: for increased traffic at any border.
A Photogenetic Line was produced for the Chennai Photo Biennale 2019, curated by Pushpamala N and supported by The Hindu.
New work at the Chennai Photobiennial, drawing from the photo archives of The Hindu, a 140-year old newspaper based out of Chennai.
A 100-foot long sequence of photo-cutouts, first shown at the Chennai Photo Biennale, March 2019
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week