New work at the Chennai Photo Bienniale, drawing from the photo archives of The Hindu, a 140-year old newspaper based out of Chennai.
A 100-foot long branching sequence of cutouts. Cutouts are here a way of reframing and rebirthing existing photographs as new organisms. Not to remove their background environments, nor to frame heroic figures, but to create a new boundary or border for the image. A border, interior or exterior, that leads us to the next image.
The sequence evolves by following one or more of these basic rules:
a. People in the images grow older, or younger. b. Things in the background come into the foreground, or vice versa. c. Two photo captions refer to each other.
We traverse a series of perceptual (shape), historical (time) and geographic (political) boundaries. Here, like in cinema, the cut is not a brick wall but an invitation: for increased traffic at any border.
Photo: Sunlight falls on part of the installation at the Senate House, a prominent Indo-Saracenic building at the University of Madras.
A 100-foot long branching sequence of cutouts drawing from the photo archives of The Hindu, a 140-year old newspaper. Cutouts here are a way of reframing existing photographs as new organisms and to create a new boundary or border for the image.
A 100-foot long sequence of photo-cutouts, first shown at the Chennai Photo Biennale, March 2019
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, perfomative media, publics at the heart of our practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Shaina Anand joined artists Sheela Gowda, Rekha Rodwittya, Indrapramit Roy, Gigi Scaria and moderator Gayatri Sinha for a conversation inaugurating Intersections- an exhibition commemorating 50 years of the Inlaks Foundation at Arthshila, Delhi.
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.