New work at the Chennai Photo Bienniale, drawing from the photo archives of The Hindu, a 140-year old newspaper based out of Chennai.
A 100-foot long branching sequence of cutouts. Cutouts are here a way of reframing and rebirthing existing photographs as new organisms. Not to remove their background environments, nor to frame heroic figures, but to create a new boundary or border for the image. A border, interior or exterior, that leads us to the next image.
The sequence evolves by following one or more of these basic rules:
a. People in the images grow older, or younger. b. Things in the background come into the foreground, or vice versa. c. Two photo captions refer to each other.
We traverse a series of perceptual (shape), historical (time) and geographic (political) boundaries. Here, like in cinema, the cut is not a brick wall but an invitation: for increased traffic at any border.
Photo: Sunlight falls on part of the installation at the Senate House, a prominent Indo-Saracenic building at the University of Madras.
A 100-foot long branching sequence of cutouts drawing from the photo archives of The Hindu, a 140-year old newspaper. Cutouts here are a way of reframing existing photographs as new organisms and to create a new boundary or border for the image.
A 100-foot long sequence of photo-cutouts, first shown at the Chennai Photo Biennale, March 2019
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Metabolic Container
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.
featuring CCTV Social and Pad.ma playlists.