New work at the Chennai Photo Bienniale, drawing from the photo archives of The Hindu, a 140-year old newspaper based out of Chennai.
A 100-foot long branching sequence of cutouts. Cutouts are here a way of reframing and rebirthing existing photographs as new organisms. Not to remove their background environments, nor to frame heroic figures, but to create a new boundary or border for the image. A border, interior or exterior, that leads us to the next image.
The sequence evolves by following one or more of these basic rules:
a. People in the images grow older, or younger. b. Things in the background come into the foreground, or vice versa. c. Two photo captions refer to each other.
We traverse a series of perceptual (shape), historical (time) and geographic (political) boundaries. Here, like in cinema, the cut is not a brick wall but an invitation: for increased traffic at any border.
Photo: Sunlight falls on part of the installation at the Senate House, a prominent Indo-Saracenic building at the University of Madras.
A 100-foot long branching sequence of cutouts drawing from the photo archives of The Hindu, a 140-year old newspaper. Cutouts here are a way of reframing existing photographs as new organisms and to create a new boundary or border for the image.
A 100-foot long sequence of photo-cutouts, first shown at the Chennai Photo Biennale, March 2019
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)