Destuffing Matrix

4 channel HDV, 8 minutes

Destuffing Matrix 

2012

(Its not so much that all that is solid melts into air, but rather that there are boxes within boxes… )

Ports and cities have been shy of each other throughout the latter half of the 20th century. Suddenly they make a joint appearance, new container terminal facing the waterfront, sharing their most visible parts. Meanwhile thousands of other pieces of the port - goods, workers, customs seals, excel sheets- are scattered across a "hinterland", connected by bridge and wire, and surrounded by fences.

What could be an image of this fractured landscape? The closest available rendering is the "transparent port" (or Indias first e-port, as the website of Cochin port trust proclaims). A port that, like its physical twin, makes things appear in proper columns, and counts rows of containers stuffed, bills paid, and ships expected or berthing. 
Boxes resist images, but also offer an invitation to the curious. Our work here, filmed in container processing terminals far inland, where port labour has also moved, claims that images are still possible, and asks if just rearranging them a certain way could change the tenor of this geography. 

First produced for the Kochi Muziris Biennale, 2012.

Passages through Passages الرفيق قبل الطريق

A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Curated by Hoor Al Qasimi

Redefine: Multiple Perspectives and Possibilities in Network Era

Men-at-Work with Boxes in Stereo
20 mins, HD. 2 - channel installation
Cantonese, Mandarin
Filmed in Guangzhou at the Zhuhai International Container Terminal

After Midnight: Indian Modernism To Contemporary India 1947/1997

Queens Museum, NY
Mar 8 2015m - Jun 28 2015
From Gulf to Gulf to Gulf (83 mins)
and Stuffing and Destuffing (4 channel looped video 9 mins)

As If - III Country of the Sea

A journey with CAMP’s five-year Wharfage project and related maritime explorations.

at the Kochi Muziris Biennale

CAMP presents
Destuffing Matrix
2012
4 x 3 channel HDV, 8 minutes.
2nd floor, Pepper House, Fort Kochi
12/12/12 to 13/03/13Show extended till 17/03/13



Singapore Biennale

Metabolic Container

Starting from 350 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.

ZOOM

A newly commissioned video performance in the "Grand Stair".
Reclaiming the strange spectatorship of viewers who entered the 19th-century Camera Obscura rooms to see live views of their surroundings in today's time of real-time hyper surveillance, CAMP invites us to experience a contemporary form of Live Cinema.

Men-At-Work with Boxes in Stereo

20 mins, HD. 2 - channel installation
Cantonese, Mandarin
Filmed in Guangzhou at the Zhuhai International Container Terminal

The Country of the Blind, and Other Stories, 2011

A film that compiles observations made by volunteer guards watching the English Channel, over one year. Filmed by small cameras connected to the eyepiece of telescopes.
Produced with the National Coastwatch Institution, Folkestone, Kent, UK.
60 minutes, 5.1 surround sound.

Wharfage

At first, a project on the creek in Sharjah in 2008-2009, from where a large number of ships leave for Somali ports.



SYDNEY OPERA


Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country

Ulhasnagar Matrix, 2024

LED profiles, custom electronics, handwritten text.

Bombay Tilts Down, 2022

13m 14s looped, seven channel environment with alternating soundtracks
2022

Filmed by CCTV camera from a single-point location in South-Central Mumbai.

In Cameras Res


De Appel, Amsterdam

On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.

A Photogenetic Line, 2019

A 100-foot long sequence of photo-cutouts, first shown at the Chennai Photo Biennale, March 2019

Matrix : Skulptur Projekt Münster, 2017


MATRIX

Of mother, womb, array, environment in which more specialised structures can grow.



Theater Münster
Neubrückenstraße 63
10 Jun - 1 Oct, 2017
Site-specific installation with Electric cable, switches, speakers, monitors, custom electronics.

The Country of the Sea

Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative 22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory

Descendants, 2014

A three-channel installation from 8mm film
From the Clark House family archives, sequenced in a timeline as above.
Each screen is a different part of the same 8mm frame, usually a face.

From Gulf to Gulf to Gulf

Feature-length film by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins.
Original format(s): HDV, SDV, VHS-C, Cellphone videos (variable formats). Stereo audio and in-cameraphone music.

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