At first, in 2008-2009, a project on the creek in Sharjah, from where a large number of ships leave for ports in Somalia.
This arrow of trade (in which Foucault's heterotopic ship is not an escape from but an entry into the space of conflict) became our subject. It offers an opportunity to think about how "business" in this context, and the relations between people that ground it, avoids the business of war, and how a "free port" created in Somalia by the lack of a customs regime, mirrored by Sharjahs' "cheap port", produces a "free trade" not governed by the WTO. With conflict up ahead and economic crisis at its tail
(and pirates in the middle), this movement of goods and their sailors may
trace old trade routes, but maps out something new: a contemporary landscape of new and used
objects, refrigerators, dentist chairs, pink limousines and baby food, labour, charcoal (the only bulk item on the return journey), Asian and African diasporas, and giant wooden ships being built in Salaya, Gujarat.
The project consists of two parallel pieces: Wharfage, a book containing two years of port records related to the Somali trade;
and Radio Meena, four evenings of radio transmissions from the port in Sharjah, which broadcast in a 5+ kilometre radius songs, commentary, phone and ship radio conversations with ships in Salaya, in Bossaso and enroute, accounts from Gujarati sailors, loaders from Dera Gazi Khan and NWFP in Pakistan, Sikh truckers, Iranian shopkeepers, Somali trading agents. All of whom spoke hindustani (hindi+urdu) as a common language of the port.
The book was republished in 2022.
Wharfage is a CAMP project invited by the 9th Sharjah Biennial, 2009.
As part of the program "Past of the Coming Days",
curated by Tarek Abou el Fetouh.
CREDITS:
In Sharjah:
Production: Amna Ali Abdulla and Mohamed Tohami.
Data Entry and Translation: Khalid Abdul Khaleq Abdulla, Mohammed Al Ahdal
Mohammed Al Shaibani, Hala Al Hedeithy, Omar Arif, Alaa Edriss, Sameh Ghassan, Nada Al Jasmi, Khalid Mezaina, Noaf Yusif.
Manifests and port records:
with the cooperation of Jarsh Mohammed Jarsh, Ahmed Mohammed Iqbal, Esam Eisa Al Hashmi, Jamal
Ahmed Abdalla Al Shaikh, Abdul Rahman Saeed Bughanim, Ahmed Abdul
Rahma, Ahmed Abdul Bughanim, Eisa Khalifa Bin Qasmoul, Majid Rahma Al
Shamsi, Hamad Sultan Abu Shibs, Muneer Mukilapeedikayil from the Department of Seaport and Customs (Sharjah Creek Customs).
From CAMP:
Research and interviews: Shaina Anand, Nida Ghouse, Hakimuddin Liliyawala, Ashok Sukumaran, Samira Nadkarni.
Database Software: Sanjay Bhangar.
Texts: Ashok Sukumaran, Nida Ghouse, Shaina Anand.
Photographs: Nida Ghouse, Hakimuddin Liliyawala , Shaina Anand (Sharjah), Samira Nadkarni (Salaya).
Copy Editing: Zinnia Ambarpardiwala, Samira Nadkarni.
Book design: Europa, London.
Printed at: Spenta Multimedia, Bombay.
This publication accompanies Radio Meena (100.3 FM), four days of radio broadcasts on the Sharjah Creek:
Radio Sound Engineer: Shuaib P.
Radio Voice / RJ: Ryan D' Souza, Hakimuddin Lillyawala.
With many thanks to:
Muhammad Rafiq and crew on M.S.V. Nazre Karam.
Abdul Rashid Bhaya, Adam Noor Mohammed Bhaya, Adam Bhaya, Gafur, Zubair, Abu Bakar, Ali and rest of the crew on M.S.V. Faize Sultane Khwaja.
Ibrahim bhai, Hamid bhai, Bashir Uthad, Osman and rest of the crew on M.S.V. Ghoushe Vashila
Akbar bhai on M.S.V. Madina Zulficar, Hussain Bhaya on M.S.V. Al Bismillah, Eesa Ali bhai on M.S.V. Ratna Sagar, Siddique Umar and Junis on M.S.V. Sabir Priya.
Mohammed Abdul Qadir and his father Abdul Qadir from Al Tayseer Shipping Company.
Mohammed Salat, Yusuf, Farrah and other Somali Traders.
Saad Samir, Jack Persekian, Lara Khaldi, Khalid Mezaina, Noura Randle, Maya Nasser and Sevdar Khan at the Sharjah Biennial.
Mia Frostner and Paul Tisdell at Europa, London.
Catalina Lozano and Anna Colin at Gasworks, London.
Janna Graham at Serpentine Gallery, London.
Rob la Frenais and Gillean Dickie at Arts Catalyst, London.
Rishita Chandra and Minoo Davar at Spenta Multimedia Production, Mumbai.
Jan Gerber and Sebastian Lütgert at Pirate Cinema, Berlin.
From Gulf to Gulf to Gulf
&
Wharfage
On Display at Tate Modern, Media Networks, till November 2022
Our Documenta(13) installation "The Boat Modes" at Freedom, Kunstpalais, Erlangen
Feature-length film by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins. Original format(s): HDV, SDV, VHS, Cellphone videos (variable). Stereo audio and in-cameraphone music.
A film that compiles observations made by volunteer guards watching the English Channel, over one year. Filmed by small cameras connected to the eyepiece of telescopes. Produced with the National Coastwatch Institution, Folkestone, Kent, UK.
60 minutes, 5.1 surround sound.
An interview with Shaina Anand in Oceans Rising, a companion reader to the research exhibition “Territorial Agency: Oceans in Transformation,” commissioned by TBA21–Academy.
A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Curated by Hoor Al Qasimi
20 mins, HD. 2 - channel installation
Cantonese, Mandarin
Filmed in Guangzhou at the Zhuhai International Container Terminal
CAMP’s From Gulf to Gulf to Gulf (2013) at the Len Lye Center Cinema, New Plymouth
Celebrates its 40th year with an inventory of 40 films and a publication. CAMPs From Gulf to Gulf to Gulf along with films of Wang Bing, Edward Yang, Tsai Ming-Liang, Lav Diaz, Akram Zaatari, Lucrecia Martel, Hou Hsiao-hsien, Abbas Kiarostami...
At
Body Building
Ishara Art Foundation
at
From Gulf to Gulf to Gulf
83"
at
Underdox: document and experiment
Werkstattkino, Munich
20:30, 16th October, 2013
Two exhibitions:
The Boat Modes in a house in the Karlsaue Park
and with Pad.ma on Afghan Films, in the ex-elisabeth hospital/ex-chinese restaurant.
From Gulf to Gulf to Gulf
83 mins
At Athens Avant-Garde Film Festival
Greek Film Archive Screening Room B
20:30 pm, 22nd October, 2013
Mapping Asia
From Gulf to Gulf to Gulf
From Gulf to Gulf to Gulf
at
Verzio International Human Rights Documentary Film Festival
From Gulf to Gulf to Gulf
Film Program
Allan Sekula - Okeanos
Thyssen-Bornemisza Art Contemporary
TBA21, Vienna
Artists lecture
31st March, 2017
Video lecture with materials from CAMP's ongoing Wharfage project,
involving state records, seafarers and "free trade" between parts of the
Persian Gulf, South Asia, and Africa.
From Gulf to Gulf to Gulf
2009-2013
Sharjah Biennial 11
March 13- May 13 2013
Film screening every evening 8 30 pm
at an open-air cinema on the corner of Bank Street and Corniche Road, Sharjah
Run-time 80 mins
From Gulf to Gulf to Gulf
at Doc Lisboa
28th and 31st October 2013
From Gulf to Gulf to Gulf
at Viennale
Double Bill: Two films by CAMP
From Gulf to Gulf to Gulf
From Gulf to Gulf to Gulf
From Gulf to Gulf to Gulf
Friday 3 March - Friday 9 June 2017
(An exhibition building upon photos of another exhibition, and more)
From Gulf to Gulf to Gulf
at
Migrating Forms
Brooklyn Academy of Music
December 12, 7pm.
BAM Rose Cinemas
From Gulf to Gulf to Gulf
at
Film and Television Institute of India, Pune
at CRT
December 8th, 2013 at 9:00 pm
in the presence of the filmmakers and editor Sreya Chatterjee
The Boat-Modes
in
Border Cultures: Part Two (work, labour)
Art Gallery Windsor
January 25 - April 13, 2014
From Gulf to Gulf to Gulf
at
Dhaka Art Summit
Bangladesh Shilpakala Academy
Experimental Film Programme
8th and 9th February 2014
From Gulf to Gulf to Gulf
Friday, March 28th 2014
3:00 pm
Helmut Stern Auditorium
University of Michigan
Ann Arbor
From Gulf to Gulf to Gulf
at
Museum for Modern Art in Warsaw
Sunday, March 23 2014
7:00 pm
Opening Film
From Gulf to Gulf to Gulf
10th April 2014 7:00 pm
The Royal, Toronto
From Gulf to Gulf to Gulf
From Gulf to Gulf to Gulf
From Gulf to Gulf to Gulf
From Gulf to Gulf to Gulf
From Gulf to Gulf to Gulf
is showing at FID Marseille
with an introduction by Edward Simpson, curated by Nada Raza
From Gulf to Gulf to Gulf
Feb 28th to March 6th 2014
at FICUNAM, Mexico
From Gulf to Gulf to Gulf
Hugh Lane Dublin City Gallery
7th September to 7th January, 2018
CAMP at Transmediale 2018, Berlin with reprinted Wharfage, The Annotated "Gujarat and the Sea" Exhibition and The Country of the Sea cyanotype.
A non-imperial view from the 'Other Boat', counter to images of the 'distressed seas'. With a presentation and screening of From Gulf to Gulf to Gulf at Transmediale 2018.
General Rehearsal A show in three acts from the collections of V-A-C, MMOMA and KADIST
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)