Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative
22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory
Featuring The Country of the Sea
For All Vahanvatti is designed to help a group think from the sea, rather than from the land. CAMP with Reliable Copy Propositions.
Re-Navigating the Afrasian Sea and Notions of Diaspora
featuring The Annotated "Gujarat and the Sea" and The Country of the Sea
Organised by Bonaventure Soh Bejeng Ndikung, Natasha Ginwala, Hajra Haidar.
At
Body Building
Ishara Art Foundation
At first, a project on the creek in Sharjah in 2008-2009, from where a large number of ships leave for Somali ports.
CAMP at Transmediale 2018, Berlin with reprinted Wharfage, The Annotated "Gujarat and the Sea" Exhibition and The Country of the Sea cyanotype.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)