Our Documenta(13) installation "The Boat Modes" at Freedom, Kunstpalais, Erlangen
For All Vahanvatti is designed to help a group think from the sea, rather than from the land. CAMP with Reliable Copy Propositions.
A journey with CAMP’s five-year Wharfage project and related maritime explorations.
Two exhibitions:The Boat Modes in a house in the Karlsaue Parkand with Pad.ma on Afghan Films, in the ex-elisabeth hospital/ex-chinese restaurant.
The Boat-Modesin Border Cultures: Part Two (work, labour) Art Gallery WindsorJanuary 25 - April 13, 2014
At first, a project on the creek in Sharjah in 2008-2009, from where a large number of ships leave for Somali ports.
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, perfomative media, publics at the heart of our practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Shaina Anand joined artists Sheela Gowda, Rekha Rodwittya, Indrapramit Roy, Gigi Scaria and moderator Gayatri Sinha for a conversation inaugurating Intersections- an exhibition commemorating 50 years of the Inlaks Foundation at Arthshila, Delhi.
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.