Two exhibitions:
The Boat Modes in a house in the Karlsaue Park
and with Pad.ma on Afghan Films, in the ex-elisabeth hospital/ex-chinese restaurant.
Returning to Kassel in August for this:
http://andandand.org/events/non-capitalist-web/
The Boat Modes wall text:
A boat has many powers: to gather a society
in its making, to distribute goods, to carry people and ideas across
places that, it seems to us, are more different than ever before. The phrase “Boat modes”
has a practical use here, which is to express the
peculiar and flexible ways in which these boats are manifest in the
Western Indian Ocean. But it also has other possibilities; such as to follow
Bruno Latour in asking a question “in a way that a specific kind of
agency appears.” A matter of tone, or key. Or to create further paths
from these boats’ continued expansion of categories such as “sovereign”,
“pirate”, “container”, “free trade”, “money”, and
“work” at such points where known maritime histories and economics seem to
say: “End!”
Modes appear at the intersection of forces and environments, and are arranged here in the shape of the constellation Pleiades, or Thurayya
in Gujarati and Arabic navigation maps. They accompany a film that
takes us on a journey from the Gulf of Kutch in India to the U.A.E. to
Somali ports, and back. The songs in the film were all found, married to
the cell-phone videos that you see.
The film is 60 minutes, and starts on the hour.
Co-commissioned by Documenta13 and the Sharjah Art Foundation
Camera: Shaina Anand, Junas Bhagad, Mrinal Desai, Sultan Hajji, Zakir Hussain, Mohammed Rafik, Ashok Sukumaran, Siddik Umer, the crew of Safina Al Zilani, Al Madina Mangrol, Al Naved, Sabir Priya and many others.
Editing: Shaina Anand, Sreya Chatterjee
Cruciforms: Ashok Sukumaran, Sindhu Thirumalaisamy, Prerna Bishnoi
With thanks to: Sanjay Bhangar, Zinnia Ambapardiwala, Ranjana Dave at CAMP
Fahad Bishara, Jatin Dua, Kaizad Gherda, Nida Ghouse, Engseng Ho, Eungie Joo, Faiza Khan, Altaf Makhiawala, Radhamohini Prasad, Edward Simpson, Samia Rab, Julia Stoff, Kathy Zarur, and the Foundation for Arts Initiatives.
A screenplay in Courier 12pt melodramatic format, spanning the first three days of lobbying for cabinet spots, in the wake of the Indian general elections of 2009. The dialogue is entirely from phone taps made by the government. The screenplay slows them down and asks: what kinds of environments and scenes may lie behind them, and how are they connected?
Printed screenplay and IVR-based phone line, audience can type in scene numbers to hear dialogue in the original voices. Also performed as a reading.
A workshop at
Afghan Films, Kabul
March 25th to April 15th, 2012
with Shaina Anand, Vijay Chavan, Mariam Ghani, Faiza Khan, Ashok Sukumaran and members and staff of Afghan Films
Our Documenta(13) installation "The Boat Modes" at Freedom, Kunstpalais, Erlangen
On Display at Tate Modern, Media Networks, till November 2022
"Watch and Chill"
83 mins
2013
National Museum of Modern and Contemporary Art, Seoul, and online.
At first, a project on the creek in Sharjah in 2008-2009, from where a large number of ships leave for Somali ports.
CAMP at Sheher o Funn, the inaugural biennale of the city of Lahore with From Gulf to Gulf to Gulf.
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
6:00-8:00 pm
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
CROWDED HOUSE
machines, skins, traps and five-year plans
CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.