Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative
22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory
At first, a project on the creek in Sharjah in 2008-2009, from where a large number of ships leave for Somali ports.
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
SYDNEY OPERA
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Shaina joined artists Sheela Gowda, Rekha Rodwittya, Indrapramit Roy, Gigi Scaria and moderator Gayatri Sinha for a conversation inaugurating Intersections- an exhibition commemorating 50 years of the Inlaks Foundation at Arthshila, Delhi.
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
