Video lecture with materials from CAMP's ongoing Wharfage project,
involving state records, seafarers and "free trade" between parts of the
Persian Gulf, South Asia, and Africa.
Unlike the explorer whose frontier is "where no one else has gone", the wooden-ship-captain who says he goes "where no one else goes" also whispers, "anymore", hinting that things change with time. In this story, Iraq was a destination fifteen years ago, as Somalia is today. Such horizons for "free trade" are produced by certain groups doing, openly, what others have deemed temporarily atleast, unprofitable. This takes skill and a capacity, a "power and resistance at sea".
At the same time, the orientation of ships and traders towards certain destinations has its "price". How to deal with unexpected intimacies? Remember, Sara Ahmed wrote, that the words contingency and contact have the same root (Latin: contigere = to touch). Goats crowd the insides of boats, charcoal catches fire. Ethiopian discotheques, sinkings off Oman, and boardings by the US navy are recorded on Gujarati sailors' cellphones. Even if the goods are all Chinese, one state "feels" another.
So there is one ship here, which could be described as brutal, bottom-feeding, capitalism as usual. And then there is another one, which has a range of peculiar and persistent properties. It is: made of Malaysian timber, brought home in the monsoons, classified as a "sailing vessel", a vigorous offspring of the traditional arab "dhow" and gujarati "vahan", fed on cheap diesel from Iran and break-bulk cargo re-exported from the Emirates. These two ships tell us about the balance of forces between nation-states, tax-regimes, labour-pools and ecosystems, for ex. in the diagram below... a matrix that is nevertheless perturbed, excited, by each passing ship.
s
"Free ports" run by a "Liberalisation via Revolutionary Guard",
ruling families since n cheap diesel
atleast the 1800's c s
s t
" p e i
i k r o
r r v n
a i s
m c c
y e
"Semi-states " " s
where most daily goods Seafaring "minority community",
come by sea and ship-builders since antiquity
At first, a project on the creek in Sharjah in 2008-2009, from where a large number of ships leave for Somali ports.
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu in China, in one of the world's largest wholesale markets for small commodities. Time is plastic as we travel into the near future, in the company of an unusual pair of guides, a mannequin and a person.
by Wang Bing
232 mins | 2023
6:30 pm*
Note* film starts earlier than usual, at 6:30pm, on account of its runtime.
There will be a short interval with food.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it. Featuring among others Patrice Lumumba, Krishna Menon, Malcolm X, Maya Angelou, Nikita Khrushchev, Nina Simone, Dizzy Gillespie, Duke Ellington, Abbey Lincoln, Adou Elenga...
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation
6-8:00 pm