On Display at Tate Modern, Media Networks, till November 2022
Nam June Paik Art Center Prize
An exhibition of the "contextually rich, environment-shifting media works of CAMP".
in
The Unfaithful Octopus
Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.
A sculptural allegory about the difference between video and film.
Gateway paper, coffee stirrers, fishing wire, wooden / steel frame, electric fan.
A conversation between two people, at the smallest possible bandwidth, that one could call "film", or narrative. Made of four alphanumeric characters, each having 14 segments. First made using Christmas lights in 2004. Remade in 2015.
LED structure, DMX controller, computer.
Filmed at the then largest mall in Europe, the Arndale Center, which had been built over the centre of Manchester town after an IRA bombing in 1992. Filmed using the 208 cameras of the mall, from the control room. Over a hundred subjects were followed after they signed a "release form" combining CCTV and documentary image release protocols.
Part of the project CCTV Social.
27 mins, CCTV video.
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.
Unreliable Narrators:
Stings to Leaks to Citizen Vigilantes
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)