Oct. 12, 2023 - Dec. 1, 2023
ADM Gallery, Singapore

as part of
The Unfaithful Octopus
Nanyang Technological University

March 29, 2017 - March 30, 2017

Tate Modern

13m 14s looped, seven channel environment with music
2022
Filmed by CCTV camera from a single-point location in South-Central Mumbai.

Oct. 5, 2019 - Dec. 22, 2019
Argos Centre for Art and Media, Brussels

Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.

March 23, 2017 - April 3, 2017

Dec. 14, 2010 - Dec. 18, 2010

Shaina Anand and Ashok Sukumaran's project CCTV Social is being shown as a 30-minute video at Space Hamilton, Seoul as part of the exhibition
"The Second Order", curated by Ji Yoon Yang.
Opening December 7th, 2010.

Artists talk by Ashok Sukumaran: "Postscript on the Order of Networks"
December 18th, 4pm

March 14, 2008 CCTV Social

In March-April 2008, ShainaA collaborated with a number of agencies in Manchester city to open up CCTV control rooms to members of the public. The Manchester Metropolitan University and the Arndale Mall were the principal venues, and over 30 members of the public were able to attend one-hour 'clinics' in the CCTV rooms. Some results were shown as part of the exhibition 'What do you want?' at Cornerhouse, Manchester from March-April 2008.

March 14, 2019 - March 15, 2019
LIMA, Amsterdam

In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.

In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.

Jan. 27, 2015 - Feb. 25, 2015

Oct. 31, 2008 The Impossible Prison

ShainaA shows Cold Clinic as part of  The Impossible Prison at The Police Station, Galleries of Justice, Nottingham. Nottingham Contemporary.

April 29, 2008 Disclosures, London

Disclosures was a 2-day event organised by Gasworks, London, attempting the reevaluation of "digital" influences in the domain of art practice, including the after-effects of open source culture, media forms, and so on. Shaina and Ashok presented on Day 2, under the thematic "Blue Skies, Grey Skies".

Sept. 23, 2008 The Reality Effect

ShainaA premiered Capital Circus and Cold Clinic, two projects about CCTV in the UK, at the Henie Onstad Kunstsenter Oslo as part of Reality Effect curated by Tone Hansen and Caroline Ugelstad.

March 21, 2014 - March 23, 2014

Five films by CAMP curated by Vassily Bourikas and Filmmaker Festival

21st march
6:00 pm Khirkeeyaan (2006) 17 mins
and Hum Logos (2012) 45 mins
at Careof DOCVA, Milan

22nd March
Cinema Palestrina, Milan
5:30 pm
The Neighbour before the House (2011) 60 mins
7:30 pm
From Gulf to Gulf to Gulf (2013), 83 mins
22:00 pm
The Country of the Blind, and Other Stories (2011), 60 mins

On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.

A 100-foot long sequence of photo-cutouts, first shown at the Chennai Photo Biennale, March 2019

20 mins, HD. 2 - channel installation
Cantonese, Mandarin
Filmed in Guangzhou at the Zhuhai International Container Terminal

Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative 22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory

A three-channel installation from 8mm film From the Clark House family archives, sequenced in a timeline as above. Each screen is a different part of the same 8mm frame, usually a face.

Feature-length film by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.

83 mins. Original format(s): HDV, SDV, VHS, Cellphone videos (variable). Stereo audio and in-cameraphone music.

4 channel HDV, 8 minutes

A screenplay in Courier 12pt melodramatic format, spanning the first three days of lobbying for cabinet spots, in the wake of the Indian general elections of 2009. The dialogue is entirely from phone taps made by the government. The screenplay slows them down and asks: what kinds of environments and scenes may lie behind them, and how are they connected?

Printed screenplay and IVR-based phone line, audience can type in scene numbers to hear dialogue in the original voices. Also performed as a reading.