Shaina Anand and Ashok Sukumaran's project CCTV Social is being shown as a 30-minute video at Space Hamilton, Seoul as part of the exhibition
"The Second Order", curated by Ji Yoon Yang.
Opening December 7th, 2010.
Artists talk by Ashok Sukumaran: "Postscript on the Order of Networks"
December 18th, 4pm
In March 2008, artists Shaina Anand and Ashok Sukumaran
collaborated with several Manchester authorities to open working CCTV
environments to a general audience.
People normally 'subjected' by this infrastructure came into the
control
rooms to observe and monitor this condition, so endemic to the UK, where
there is approximately one police camera
for every six citizens. About thirty people signed up for one-hour
sessions in two control rooms in the city. These sessions became
somewhat like a clinic,
where both police and participants discussed symptoms, anxieties and inoculations for
'public health,' under surveillance.
The film is a documentation of some moments, from these several hours of curious encounters.
Filmed at the then largest mall in Europe, the Arndale Center, which had been built over the centre of Manchester town after an IRA bombing in 1992. Filmed using the 208 cameras of the mall, from the control room. Over a hundred subjects were followed after they signed a "release form" combining CCTV and documentary image release protocols.
Part of the project CCTV Social.
27 mins, CCTV video.
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.
In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)