ZOOM

A newly commissioned video performance in the "Grand Stair".
Reclaiming the strange spectatorship of viewers who entered the 19th-century Camera Obscura rooms to see live views of their surroundings in today's time of real-time hyper surveillance, CAMP invites us to experience a contemporary form of Live Cinema.

Live and archived streams from CCTV cameras mounted on rooftops in Mumbai and Hong Kong are accompanied with live narration. The zoom as an un-human, continuous movement of curiosity and exploration of relations: between individuals and society, stones and the city, pixels and messages, raindrops and the climate, is the subject of this evening. Beyond its strange physical phenomenon, the zoom is a tool of abstract continuity that bends spacetime, pulling us into obsessive black holes and throwing us out into vast horizons.

From Gulf to Gulf to Gulf

Al Jaar Qabla Al Daar

The Neighbour Before The House
Screen and discussion with CAMP
M+ Afterimage Cinema

An Evening with CAMP

This artist talk accompanies Signals: How Video Transformed the World.
Organised by Stuart Comer, Michelle Kuo and Rattanamol SIngh Johal.

The Thing is... 22

Memorius is 5

Bombay Tilts Down, 2022

13m 14s looped, seven channel environment with music
2022
Filmed by CCTV camera from a single-point location in South-Central Mumbai.

CCTV Landscape from Lower Parel

A 200-year neighbourhood story told through a single camera mounted on a cinema hall, 90 minutes.

Opening event

Friday 13th Oct 2017
5:30 pm to 7:00 pm
IMAX at PVR Phoenix
also
Monday 16th Oct 2017
5:30 pm to 7:00 pm
PVR Phoenix 6

Evening Landscape from the Control Room

Saturday May 6th
7:00 pm
CAMP Rooftop

90 minutes
Live and recorded video from location, with commentary.

Lets say a change of guard in the control room brings in new cinematographers and analysts, for whom the sun setting over Juhu beach is just the beginning of the evening's story.

CCTV TV: An evening with CAMP

In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.

Camera Obscura

Tate Modern

29th March, 2017, 7:00 pm
South Tank



Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.

*Recalling Far From Vietnam, collectively-made essay film from 1967.

Asia Pacific Triennial

Machine Visions

On AI by CAMP

From Gulf to Gulf to Gulf

Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.

الجار قبل الدار The Neighbour Before the House

Film screening, and conversation 6-8:00 pm

The Neighbour before the House

Geographies of Belonging

Visiting Artist Lecture Series

From Land to Sea

From Gulf to Gulf to Gulf

Vertical Integration

We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.

Footage Films, Or Narrating a Dataset

with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)

We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)

All Events