A newly commissioned video performance in the "Grand Stair".
Reclaiming the strange spectatorship of viewers who entered the 19th-century Camera Obscura rooms to see live views of their surroundings in today's time of real-time hyper surveillance, CAMP invites us to experience a contemporary form of Live Cinema.
Live and archived streams from CCTV cameras mounted on rooftops in Mumbai and Hong Kong are accompanied with live narration. The zoom as an un-human, continuous movement of curiosity and exploration of relations: between individuals and society, stones and the city, pixels and messages, raindrops and the climate, is the subject of this evening. Beyond its strange physical phenomenon, the zoom is a tool of abstract continuity that bends spacetime, pulling us into obsessive black holes and throwing us out into vast horizons.
The Neighbour Before The House
Screen and discussion with CAMP
M+ Afterimage Cinema
This artist talk accompanies Signals: How
Video Transformed the World.
Organised by Stuart Comer, Michelle Kuo and Rattanamol SIngh Johal.
13m 14s looped, seven channel environment with music
2022
Filmed by CCTV camera from a single-point location in South-Central Mumbai.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)