LIVE : January 28, 2018, from 4:30 pm - 6:00 pm. Installation on view till February 28.
CAMP with Madhuja Mukherjee and Kenneth Cyrus
The word ‘kamra’ and camera have the same root. A camera is a room with a hole in it. Small people inside this ‘kamra’ can see images of expansive outdoors, without themselves being seen. This experience -- of watching without being watched -- and at the same time partaking in shared curiosities and desires, is at the very heart of cinema.
Once a prime theatre of central Calcutta, the now hollowed out Gem Cinema lies at the crossroad of Entally Market and the arterial AJC Bose Road named after the polymath physicist, archeologist, botanist and writer of science fiction. 200 years ago it was a ditch, guarding the town from invaders; then filled up to become Lower Circular Road, bringing with it urbanity, modernity and migrants. Mosques, churches, art ‘akademis’, schools; the Missionaries of Charity, offices and bhavans of the CPI and CPIM and the Left brigade, the Moula-ali Dargah and later, the youth centre, memorial of Begum Rokeya and tomb of St. Teresa – public institutions of a certain time -- populate the landscape, on whose perpendicular trajectory lies the Hoogly to the west, and the Wetlands to the east. Down below the density of life of Moulali-Entally engulfs us, and on rooftops, people steal time in public-private spaces.
A single camera mounted on the roof of Gem Cinema brings us multifarious stories: factoids and fabulations, imagery and documentary, things that can and cannot be seen. A traversal of distances, through many spaces and multiple timelines. Maybe the true destiny of ‘CCTV’ is to make us secretly intimate with each other, and our surroundings.
"From Janta Colony to Janta Colony" video lecture by CAMP, part one of a series, at KRVIA auditorium at 11 am.
"From Footpath to Flat (via FSI)" video lecture by CAMP, part two of a series, at KRVIA auditorium at 11 am.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
13m 14s looped, seven channel environment with music
2022
Filmed by CCTV camera from a single-point location in South-Central Mumbai.
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.
De Appel, Amsterdam
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.
From the rooftop of this artists' studio in Chuim Village, you are taken on a virtual tour of the neighbourhood. 90 minutes: Live video, audio and archival print material, with live commentary.
"The Neighbour Before the House deals with the effects and narrative remainders of a (warfare) technology and proposes a method of witnessing, a witness machine."
A 200-year neighbourhood story told through a single camera mounted on a cinema hall, 90 minutes.
Opening event
The New Medium II: Footage Films
Friday 13th Oct 2017
5:30 pm to 7:00 pm
IMAX at PVR Phoenix
also
Monday 16th Oct 2017
5:30 pm to 7:00 pm
PVR Phoenix 6
Saturday May 6th
7:00 pm
CAMP Rooftop
90 minutes
Live and recorded video from location, with commentary.
Lets say a change of guard in the control room brings in new cinematographers and analysts, for whom the sun setting over Juhu beach is just the beginning of the evening's story.
24 JORBAGH, New Delhi
January 27 - February 24 2015
Born in experimentation and uncertainty, black boxes of machines and institutions surround us with seemingly smooth and impenetrable functions. But reintroduce the uncertainty, reopen the conflicts, and the box appears stable in neither form nor function.
Twelve works by CAMP look out through the interior worlds of cameras, memory devices, surveillance systems and more, developing feelings and strategies along with them.
On the excess of images, and of access to images.
In this screening and discussion we look at several artist's works (including our own) based on security imaging or CCTV. This gives us a few new ways to think about contemporary images, and the "democracy" of image-making, in particular. It also suggests that the term "found footage" may not be sufficient, may even be misleading, for describing such work.
Saturday, July 26, 2008
Opening soon, CAMP solo in NYC.
Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.
Shaina A gave a talk at the film studies conference at EFLU, Hyderabad titled Film After Video, Notes from CAMP.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it.
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Al Jaar Qabla Al Daar
Streaming on Union Docs.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Asia Pacific Triennial