Swearing-in Whispers: A screenplay based on the Radia Tap(e)s
Join us for a reading at
New Museum Theater
Thursday April 19 2012
7.pm
as part of "The Ungovernables,"2012 New Museum Triennial
Aarti Sethi, Murtaza Vali, Naeem Mohaiemen, Siddharth Lokanandi and Deepti Salopek join CAMP for the reading, which will be followed by a screening of HUM LOGOS.
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This script reading and screening will present CAMP's work in the
Triennial in the context of listening, rhetoric, and self-education. The
Radia Tape leaks, which the work is based on, have been described as
“essential listening for anyone trying to be a journalist.” This
invitation could be extended to anyone interested in contemporary India
or in the links between communication and politics.
Act I : Reading from Swearing-in Whispers, a screenplay based on 3 days of the Radia tap(e)s, prior to the formation of the
cabinet of ministers after Indian general elections in 2009.
Act II : Screening of HUM LOGOS, a 50-minute sound+text film that begins
when top journalists claim that they were just "stringing along" Radia,
and their conversations were not based on reality. This opens up a
world of rhetorical agents: lies, pen-drives, arguments and relays that
show us (or allow us to hear) what both "speech" and meaning have
become, in this highly mediatised and interconnected environment.
A screenplay in Courier 12pt melodramatic format, spanning the first three days of lobbying for cabinet spots, in the wake of the Indian general elections of 2009. The dialogue is entirely from phone taps made by the government. The screenplay slows them down and asks: what kinds of environments and scenes may lie behind them, and how are they connected?
Printed screenplay and IVR-based phone line, audience can type in scene numbers to hear dialogue in the original voices. Also performed as a reading.
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
CROWDED HOUSE
machines, skins, traps and five-year plans
CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.
as part of
Heavy Metal Containers
July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm
Months long workshop initiated by a group of artists in and around Delhi.
To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.