September 23, 2011 - December 8, 2011
This exhibition proposes an after-form and before-form for two of art's (and our own) usual objects. The first is a film that was shot over last year on the English Channel that is now re-installed in Kolkata, making a certain claim for its universality. The second is a "not-yet-film" treatment of the Radia leaks as a screenplay, with an audio guide as its soundtrack. Both these are moments lit up by separate alignments of, broadly, government, technology, and opportunity...
TWO STAGES OF INVENTION
In a recent CAMP project in Folkestone on the English Channel, volunteer guards filmed the sea through their telescopes for over a year, in a reinvention of "duty", a cultivation of new interests and humour, and an untooling of tools, that could be seen as universal. That is, watchkeepers, timekeepers, guards, guard-machines, fishing and shipping elsewhere are implicated, but so is the Big Society, and other questions of what happens when the state "withdraws". A film made from this footage that was installed at the location it was shot in, is now put online and simultaneously installed in the gallery in Kolkata, thus moving past its own "horizon", and starting to act at a distance.
Part two is a sketch in response to the question: when data leaks, how to approach this as an aesthetic problem? Which catching positions or hungry gods are invented by leaks, that did or didn't exist before? How to feel a leak, and by what means, especially at the scale at which recent digital leaks have occurred? In the case of the Radia tapes, TV-sized sound bytes were enough to make us all engaged voyeurs. But perhaps a more interesting kind of feeling, recognition, or effect, lies somewhere between the allure of individual conversations, and the big dump of information that the leak represents... a level that has to be invented. Suggesting such a level in the exhibition is a screenplay treatment based on the Radia tapes released so far, along with a comprehensive "audio guide" as its soundtrack.
If creativity is chain-like, with inspiration, calculation, handover, surrender, and revelatory events in the world all appearing regularly, then what part of this is to be displayed? No, we don't have to exhibit artistic "process" as incompleteness, waiting, and so on. The proposal here is the opposite one: that "process" is best viewed as a concrete set of stages, each of which offers a certain space for invention.
Opening November 10, 6pm
With a reading of the screenplay
Act I: Swearing-in Whispers followed by a screening of
Act-II: Hum Logos
Corruption: Everybody Knows curated by Natasha Ginwala, continues through December 19, 2015 at E-flux, NY
A film that compiles observations made by volunteer guards watching the English Channel, over one year. Filmed by small cameras connected to the eyepiece of telescopes. Produced with the National Coastwatch Institution, Folkestone, Kent, UK.
60 minutes, 5.1 surround sound.
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".
Followed by a discussion with Anamika Haksar and many cast and crew members.
As part of Mother Courage and her Unruly, Loving Children
Punto De Vista
International Documentary Festival of Navarra
Retrospective: Oceanic Feeling
ASSEMBLY, 30 min.
YEH FREEDOM LIFE, 70 min
Followed by a discussion with Priya
SUSPENDED :( Hope to be back in the near future
This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.
Shaina Anand in conversation with Shaunak Sen Talk: India Art Fair 02 Feb, 5:00-5:45 PM
Drawing from a recent body of post-cinema assemblages and experiences from the Mumbai based collaborative studio CAMP, artists, filmmakers and researchers Shaina Anand and Shaunak Sen will discuss the before and after of Cinema and the Present.
CAMP did an afternoon seminar with the Goldsmiths curatorial knowledge PhD program and its "advanced practices" group. With Irit Rogoff, Adnan Madani, Ramon Amaro, Bridget Crone and students.
Screening of a new 5-channel film by CAMP: 85 minutes
A Passage Through Passages is inspired by ethnographic and archival work in five field sites.
The screening is followed by a discussion, and a response from Susan Schuppli.
A Passage Through Passages is inspired by ethnographic and archival work in five field sites. The central feature of the exhibition is a multi-screen film work by CAMP.
Shaina presents the infrastructures of CAMP and her cinema programming at ECH, Kolkata.
Artist talk @ Beginnings with CAMP