The Annotated 'Gujarat and the Sea' Exhibition (2011)
and
Descendant (2014)
in
And I laid traps for the troubadours who get killed before the reached Bombay
at Clark House, Bombay
February 7 to May 30, 2014
Curated by Emilie Villez, Zasha Colah & Sumesh Sharma
An exhibition made of photos of another exhibition, titled Gujarat and the Sea
Which was itself made of prints of scans of maps, documents and photos.
and
a work that draws from 8mm home movies of the Clark House family, in the sequence below:
With special thanks to Aruna Sharma, who was the main reason
for her husband, late Chaturbhuj Sharma's filming hobby.
General Rehearsal A show in three acts from the collections of V-A-C, MMOMA and KADIST
(An exhibition building upon photos of another exhibition, and more)
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)