at Clark House, Bombay

The Annotated 'Gujarat and the Sea' Exhibition (2011)
and
Descendant (2014)
in
And I laid traps for the troubadours who get killed before the reached Bombay
at Clark House, Bombay
February 7 to  May 30, 2014

Curated by Emilie Villez, Zasha Colah & Sumesh Sharma


An exhibition made of photos of another exhibition, titled Gujarat and the Sea
Which was itself made of prints of scans of maps, documents and photos.

and 

a work that draws from 8mm home movies of the Clark House family, in the sequence below:


With special thanks to Aruna Sharma, who was the main reason
for her husband, late Chaturbhuj Sharma's filming hobby.

Gallery: at Clark House, Bombay
The Annotated "Gujarat and the Sea" Exhibition

General Rehearsal
A show in three acts from the collections
of V-A-C, MMOMA and KADIST

The Annotated "Gujarat and the Sea" Exhibition

(An exhibition building upon photos of another exhibition, and more)



Video After Video : The Critical Media of CAMP

Organised by Stuart Comer and Rattanamol Singh Johal.

The (Reshuffled) Year of the Everlasting Storm

Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.

A Terrible Beauty

by Iram Ghufran
50 mins, 2023
7:00 pm

Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.

Youth (Spring)

by Wang Bing
232 mins | 2023
6:30 pm*

Soundtrack to a Coup d'Etat

by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it.

Around the World Again

Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.

Geographies of Belonging

Al Jaar Qabla Al Daar
Streaming on Union Docs.

Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.

Bombay Tilts Down

Asia Pacific Triennial

All Events