The Annotated 'Gujarat and the Sea' Exhibition (2011)
and
Descendant (2014)
in
And I laid traps for the troubadours who get killed before the reached Bombay
at Clark House, Bombay
February 7 to May 30, 2014
Curated by Emilie Villez, Zasha Colah & Sumesh Sharma
An exhibition made of photos of another exhibition, titled Gujarat and the Sea
Which was itself made of prints of scans of maps, documents and photos.
and
a work that draws from 8mm home movies of the Clark House family, in the sequence below:

With special thanks to Aruna Sharma, who was the main reason
for her husband, late Chaturbhuj Sharma's filming hobby.
General Rehearsal
A show in three acts from the collections
of V-A-C, MMOMA and KADIST
(An exhibition building upon photos of another exhibition, and more)
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Metabolic Container
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.