SUNDAY, 18TH NOVEMBER
6:00 pm sharp
90 minutes : Live video, audio and archival print material, with live commentary.
From the rooftop of this artists' studio in Chuim Village, you are taken on a virtual tour of the neighbourhood: its forgotten golf course and mango orchards, it's Ambedkarite settlements and coconut Agripadas, its 150-year history and the 1.5 seconds in which a spotted pigeon shows us the future.
For the past many years, CAMP has been working with CCTV equipment as a movie-making medium. Live video from standard CCTV PTZ cameras allows us to look around this location in great detail, and keep its memory in storage. The 1000th sun setting over Juhu beach is just the beginning of this evening's story. What follows is in the tradition of landscape cinema. Images from Chuim Village, both near and far are spoken over by three people, who add historical or contemporary details. Sometimes a newspaper article from 1991, or a map from 1905, or an excel sheet from 2018 also takes part.
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
A single camera mounted on the roof of Gem Cinema brings us multifarious textures, factoids and fabulations
Artist talk @ Beginnings with CAMP
Workshop with Students of ERG/Artistic Practices and Scientific Complexity Masters/Kobe Matthys at Argos.
Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.
Artist talk: Shaina A at Institute for Comparative Modernity, Cornell University.
A film program at Slought, with Shaina Anand /CAMP about surveillance systems, critical documentary filmmaking, subjectivity and distribution, and a screening of Al Jaar Qabla Al Daar (60 min, 2011), followed by a discussion with filmmaker Shaina and Deborah A. Thomas.
Ishara Art Foundation
Ashok gives a part-biographical talk at the MMB, Mumbai, as part of the State of Nature series. Himalayan horticultural history, sewage-infused ice skating rinks, potato science and a series of proposals for art.
A 100-foot long branching sequence of cutouts drawing from the photo archives of The Hindu, a 140-year old newspaper. Cutouts here are a way of reframing existing photographs as new organisms and to create a new boundary or border for the image.