Midnight's Third Child
Readings, Screenings and Discussions
with Naeem Mohaiemen
Midnight's Third Child is an anthology of essays by Naeem Mohaiemen on artists and art movements in Bangladesh – with a focus on cinema, literature, and visual arts. The title is a response to Salman Rushdie’s Midnight’s Children (1981); it points to what was left out of postcolonial art history in South Asia– the many fates of the geography of Bangladesh.
Midnight's Third Child is also a translation of the Bangla phrase: chagol'er tritiyo baccha lafay beshi (the goat's third child jumps more), that suggests that the youngest needs to strive for maternal sustenance. It also proposes a clarity of purpose from being the last born.
This event explores the book and two film projects discussed in the book, and ends with a screening of Naeem’s film Jole Dobe Na (Those Who Do Not Drown).
6:30pm: Chai, Greet and Meet.
7 pm: Reading from the book by Naeem, with accompanying films.
Excerpt from Adam Surat by Tareque Masud, 1989.
Followed by Dadu by Molla Sagar, 37 mins, 2017.
Discussion with Prabodh Parikh, Shaina Anand and friends.
Book Signing*
9 PM: Jole Dobe Na , 2020, 64 mins.
*Copies of the book will be available for sale. RSVP early here.
Naeem Mohaiemen combines photography, films, and essays to research the many forms of utopia-dystopia (families, borders, architecture, and uprisings) in South Asia after 1947.
Prabodh Parikh is a poet, fiction writer, painter and teacher of Philosophy and Film based in Bombay.
Shaina Anand is a filmmaker and artist based at CAMP, Bombay.
Cover image by Ali Morshed Noton, featuring (l to r), Tareque Masud (1956–2011), Dhali Al Mamoon (1958–), Unidentified, Syed Sajjad Hossain Jyoti (1959–missing 1993), Mishuk Munier (1959–2011); during shooting of Tareque Masud's 'Adam Surat' (1989) on artist S M Sultan (1923–1994) at Audiovision office, Lalmatia, 1986.
We invite you in the cities of Batticaloa, Bombay, Chittagong, Delhi, Dhaka, Karachi, Khulna, Kolkata and Lahore, to change the course of a film's history, sip from its waters, taste its oddness of...
MOVE STAY OR DISAPPEAR
Saturday, June 10th 2023, 6pm onwards.
An outcome of a 6-week residency at CAMP in Chuim village Khar, a continuing dialogue with each other and with the studio.
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
Low-End Therapy
By Swadesi crew
Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.